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PAINTING THE RAINBOW

A story about a tumultuous family that lacks a certain element of hardship needed to make a book truly gripping.

Two young cousins try to recapture the feeling of summertime fun during a fraught vacation at their family’s lake house, a summer overshadowed by the mystery of their uncle’s long-ago death.

Cousins Holly Swanson and Ivy Greenwood have very different personalities, but that has never mattered before. During the summers, they’ve always been inseparable. But this summer of 1965, with Ivy’s parents fighting more than ever and Holly showing interest in local boys, they can’t seem to find any common ground. It doesn’t help that tensions are running high among other family members. Uncle Jesse may have died many years ago, but guilt, sadness and shame still surround the accident. Mixing diary entries and letters into the narrative, Gordon delivers a sweet albeit convenient story about familial rupture and healing. The cast of characters is well-imagined, and the plot is infused with the inevitable repercussions of history, both immediate and those of a more global nature. However, events are repeatedly too advantageous to be ultimately satisfying. Hidden diaries, letters and pictures are discovered with alarming regularity. Perhaps acknowledging this narrative ease, the publisher recommends this book for ages 8-12, but the girls’ dawning understanding of the complex world of adulthood pushes it a little older.

A story about a tumultuous family that lacks a certain element of hardship needed to make a book truly gripping. (Fiction. 10-14)

Pub Date: April 15, 2014

ISBN: 978-0-8234-2525-9

Page Count: 176

Publisher: Holiday House

Review Posted Online: Feb. 11, 2014

Kirkus Reviews Issue: March 1, 2014

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CAMINAR

A promising debut.

The horrors of the Guatemalan civil war are filtered through the eyes of a boy coming of age.

Set in Chopán in 1981, this verse novel follows the life of Carlos, old enough to feed the chickens but not old enough to wring their necks as the story opens. Carlos’ family and other villagers are introduced in early poems, including Santiago Luc who remembers “a time when there were no soldiers / driving up in jeeps, holding / meetings, making / laws, scattering / bullets into the trees, / hunting guerillas.” On an errand for his mother when soldiers attack, Carlos makes a series of decisions that ultimately save his life but leave him doubting his manliness and bravery. An epilogue of sorts helps tie the main narrative to the present, and the book ends on a hopeful note. In her debut, Brown has chosen an excellent form for exploring the violence and loss of war, but at times, stylistic decisions (most notably attempts at concrete poetry) appear to trump content. While some of the individual poems may be difficult for readers to follow and the frequent references to traditional masculinity may strike some as patriarchal, the use of Spanish is thoughtful, as are references to local flora and fauna. The overall effect is a moving introduction to a subject seldom covered in fiction for youth.

A promising debut. (glossary, author Q&A) (Verse/historical fiction. 10-14)

Pub Date: March 25, 2014

ISBN: 978-0-7636-6516-6

Page Count: 208

Publisher: Candlewick

Review Posted Online: Dec. 23, 2013

Kirkus Reviews Issue: Jan. 15, 2014

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THE GIRL WHO DRANK THE MOON

Guaranteed to enchant, enthrall, and enmagick.

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  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Newbery Medal Winner

An elderly witch, a magical girl, a brave carpenter, a wise monster, a tiny dragon, paper birds, and a madwoman converge to thwart a magician who feeds on sorrow.

Every year Elders of the Protectorate leave a baby in the forest, warning everyone an evil Witch demands this sacrifice. In reality, every year, a kind witch named Xan rescues the babies and find families for them. One year Xan saves a baby girl with a crescent birthmark who accidentally feeds on moonlight and becomes “enmagicked.” Magic babies can be tricky, so Xan adopts little Luna herself and lovingly raises her, with help from an ancient swamp monster and a chatty, wee dragon. Luna’s magical powers emerge as her 13th birthday approaches. Meanwhile, Luna’s deranged real mother enters the forest to find her daughter. Simultaneously, a young carpenter from the Protectorate enters the forest to kill the Witch and end the sacrifices. Xan also enters the forest to rescue the next sacrificed child, and Luna, the monster, and the dragon enter the forest to protect Xan. In the dramatic denouement, a volcano erupts, the real villain attempts to destroy all, and love prevails. Replete with traditional motifs, this nontraditional fairy tale boasts sinister and endearing characters, magical elements, strong storytelling, and unleashed forces. Luna has black eyes, curly, black hair, and “amber” skin.

Guaranteed to enchant, enthrall, and enmagick. (Fantasy. 10-14)

Pub Date: Aug. 9, 2016

ISBN: 978-1-61620-567-6

Page Count: 400

Publisher: Algonquin

Review Posted Online: May 13, 2016

Kirkus Reviews Issue: June 1, 2016

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