A splendid example of urban renewal.
Does a room full of broken musical instruments mean the Philadelphia schools will go silent?
Not when Robert Blackson, the artistic director of Temple Contemporary—a center for exhibitions and public programming at Temple University—gets onboard, according to endnotes explaining the inspiration for the titular symphony, a music education nonprofit, and this book. The story opens with children, depicted with a multitude of skin tones and hairstyles, in classrooms and on the streets enjoying their instruments: “Philadelphia is full of NOISE.” Millward’s scribbly, digital illustrations and high-octane settings and colors have a childlike quality perfectly attuned to the subject. The sounds, rendered in black letters with yellow highlighting, dominate the designs; musical notes and bright squiggles pulsate across the pages. A young Black saxophonist bops along, passing a mural of Grover Washington Jr., but the sax is abandoned when the musician runs for shelter during a storm. The drummer sets down his snare to purchase a soft pretzel, and someone steps on it. A small child stuffs a sibling’s trumpet with toy animals, then comments that it “sounds like a fart.” But “just because / something is broken doesn’t / mean that it can’t also be beautiful,” and a performance using the discarded instruments is held—the fundraiser that occurred in 2017. Listeners can tune in on the Vimeo link provided. The concert and narrative conclude in a crescendo of joyful cacophony. (This book was reviewed digitally.)
A splendid example of urban renewal. (Picture book. 4-7)Pub Date: Oct. 11, 2022
ISBN: 978-1-5362-1363-8
Page Count: 40
Publisher: Walker US/Candlewick
Review Posted Online: June 7, 2022
Kirkus Reviews Issue: July 1, 2022
Perfunctory and disappointing, this retelling of a classic fairy-tale ballet falls short.
One of the ballet world’s most enduring and endearing productions receives a picture-book staging.
Tchaikovsky composed three great ballet scores, and that for The Sleeping Beauty is certainly beautifully enchanting. Productions fill the stage with sumptuous sets and costumes, and the dancers perform every range of steps from delicate to bravura. Unfortunately, none of this is evident in this version. The retelling of the classic fairy tale, told in the present tense, lacks poetic nuance. The mixed-media illustrations, albeit showing a diverse cast, are cartoonish and busy and do not portray anything much resembling ballet steps. The “Rose Adagio,” when the 16-year-old princess dances with four suitors and performs audience-thrilling balances, is only hinted at in the illustrations. Likewise, the very entertaining fairy-tale characters of the wedding scene are here just part of a crowded double-page spread. The fairies are often depicted floating overhead while barefooted. The gimmick of the book, a musical accompaniment, is actually 10 bursts of tinny sounds that are too brief to be of lasting value. At the end of the book, the author does describe the instrumentation for many of the scenes, but this information is inadequate.
Perfunctory and disappointing, this retelling of a classic fairy-tale ballet falls short. (note on Tchaikovsky, glossary) (Picture book. 4-7)Pub Date: Oct. 16, 2018
ISBN: 978-1-78603-093-1
Page Count: 24
Publisher: Frances Lincoln
Review Posted Online: Oct. 27, 2018
Kirkus Reviews Issue: Dec. 1, 2018
While the logical concerns don’t sink this ship, muffed details have it awash at the scuppers.
A father-and-child team venture out together on their tugboat, rescuing a small boat and navigating a storm before returning safely to their harbor.
Evocative watercolor illustrations effectively convey the ocean and harbor setting with azure skies, puffy clouds, swirling seas, and a rip-roaring thunderstorm with lightning streaking across purplish skies. While the intriguing illustrations are the book’s strongest feature, several illustrations do not have exact picture-to-text correlation. Some perplexing depictions that could disorient coastal readers include an ocean liner on a direct path for collision with a sailboat and the tugboat (as well as the nearby shore) and a jet shown in the hangar bay of an aircraft carrier, which would not likely be anywhere near this small harbor. Safety-conscious readers will be concerned by the lack of clearly depicted personal flotation devices on the child and father. The child (who is androgynous) is shown wearing a slim vest, but it isn’t clearly a life jacket. Sharp-eyed readers will note that the line that’s towing the dinghy the tug rescues disappears in some pictures, as does the dinghy’s occupant. The cast of characters includes people of color; the child’s father has light skin and dark hair, and the mother presents as Asian. The short, rhyming text conveys a dramatic and interesting story, but in the pictures, too many extraneous types of boats make unnecessary and illogical appearances. Nautical terms used in the story are defined in a glossary.
While the logical concerns don’t sink this ship, muffed details have it awash at the scuppers. (Picture book. 4-7)Pub Date: May 14, 2019
ISBN: 978-1-4847-9952-9
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: Feb. 5, 2019
Kirkus Reviews Issue: March 1, 2019
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