Many good things take time, but this book is short and sweet.
Levine and Eisenberg Sasso team up for another picture book based on the parables of Jesus, highlighting the lessons and values one can learn from observing nature.
“Once a gardener planted a fig tree,” the book begins. In this tree lies the promise of delightful shade and delicious fruit. The seasons change and the tree grows taller; but alas, it fails to come into leaf and there is no harvest to speak of. A White gardener and a group of racially diverse children keep watch. “Will the tree ever grow up?” the youngsters ask, and the gardener recommends patience. Another year goes by, but still the tree refuses to yield figs and shade. Adults begin to call the tree “good for nothing,” and even the gardener begins to wonder if they should start afresh with a new planting, but the children know the tree just needs more love and more time. As year follows year, the children lovingly and persistently tend to their beloved tree, ultimately reaping the literal fruit of their labor. Guaranteed to draw comparisons to The Giving Tree (1964), this book inverts Silverstein’s now-classic narrative by showing child protagonists giving tirelessly to an eponymous tree; however, the lesson here seems to be persistence rather than love devoid of self-interest. Though the story strays far from the biblical teaching it draws from, its themes remain scriptural and are also universal. Bowler’s illustrations invite interest with their palpable textures and impressionistic lights and shadows.
Many good things take time, but this book is short and sweet. (authors’ note, recipe) (Religious picture book. 3-7)Pub Date: March 29, 2022
ISBN: 978-1-947888-31-9
Page Count: 40
Publisher: Flyaway Books
Review Posted Online: Dec. 15, 2021
Kirkus Reviews Issue: Jan. 1, 2022
An upbeat holiday tale marred by spotty logic.
An unusual Hanukkah miracle.
On the first night of Hanukkah, Ruthie’s parents give her a pair of holiday-themed “pajamakkahs.” Dad says that she can wear them to the family’s “Hanukkah Pajamakkah Party” on the eighth night. Ruthie wants to wear them “all eight nights.” Mom agrees but tells her to keep them “spotless.” Despite Ruthie’s precautions, she accrues myriad stains as she helps cook latkes, lights the menorah, does arts and crafts, and crashes into a pile of jelly doughnuts. But there are no spots here, says Ruthie—just “streaks,” “splotches,” “sparkles,” and “squishes.” On the final night of Hanukkah, the whole family and even the dog sport pajamakkahs of their own. Mom’s aghast at Ruthie’s pj’s. Dad says it’s a miracle they lasted eight nights, but he sees spots. “Dotted, not spotted,” Ruthie counters. Other, racially diverse, pajama-clad family members arrive. Ruthie twirls the dreidel and, inexplicably, causes a whirlwind, upending latkes, art supplies, and more. Are those spots on Ruthie’s pajamakkahs at last? Finally, Ruthie says, “a Hanukkah miracle!” This thinly plotted, only mildly amusing story is rife with logical holes. Even the youngest readers won’t believe Ruthie’s parents didn’t insist the badly soiled pj’s should get tossed in the washer sooner. It isn’t clear what’s so miraculous about Ruthie’s dirty jammies, and the child’s literalness wears thin. The cheerful, digitally created illustrations feature familiar Hanukkah symbols but are otherwise undistinguished. Ruthie and her immediate family are pale-skinned.
An upbeat holiday tale marred by spotty logic. (Picture book. 4-7)Pub Date: Sept. 3, 2024
ISBN: 9781728284576
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Aug. 3, 2024
Kirkus Reviews Issue: Sept. 1, 2024
Low-key and gentle; a book to be thankful for.
Spinelli lists many things for which people are thankful.
The pictures tell a pleasing counterpoint to this deceptively simple rhyme. It begins “The waitress is thankful for comfortable shoes. / The local reporter, for interesting news.” The pictures show a little girl playing waitress to her brother, who playacts the reporter. The news gets interesting when the girl trips over the (omnipresent) cat. As the poem continues, the Caucasian children and their parents embody all the different roles and occupations it mentions. The poet is thankful for rhyme and the artist, for light and color, although the girl dancer is not particularly pleased with her brother’s painterly rendition of her visual art. The cozy hotel for the traveler is a tent for the siblings in the backyard, and the grateful chef is their father in the kitchen. Even the pastor (the only character mentioned who is not a family member) is grateful, as he is presented with a posy from the girl, for “God’s loving word.” The line is squiggly and energetic, with pastel color and figures that float over white space or have whole rooms or gardens to roam in. Both children, grateful for morning stories, appear in a double-page spread surrounded by books and stuffed toys as their mother reads to them—an image that begs to be a poster.
Low-key and gentle; a book to be thankful for. (Picture book. 4-7)Pub Date: Sept. 1, 2015
ISBN: 978-0-310-00088-4
Page Count: 32
Publisher: Zonderkidz
Review Posted Online: May 17, 2015
Kirkus Reviews Issue: June 15, 2015
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