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CRY OF THE FIREBIRD

THE FIREBIRD FAIRYTALES VOLUME 1

Fantasy fans will likely enjoy Anya’s adventures, which feature novel supernatural elements in a modern setting.

Finnish-Australian author Kuivalainen offers a debut urban fantasy about a young girl battling dark forces.

After wolves shockingly attack Anya’s grandfather in the middle of summer, she sits grieving in a local café. She lives in a village bordering Russia and Karelia that’s “so small that it didn’t even have an official name,” so she’s naturally surprised when a stranger greets her in English; she’s doubly shocked when he introduces himself as Tuoni, the ruler of the Underworld. He explains to Anya that her grandfather was a shaman with great powers, and that she also has magical ability that “needs to be utilised, or it will not only be a disaster for you but for your whole world.” It turns out that there’s a gate between Earth and the Otherworld, which just so happens to border Anya’s farm. Anya becomes aware that the wolves that killed her grandfather were no ordinary predators, and she knows that her task ahead will be a formidable one. As she confronts evil forces, she’s aided by Yvan, an ancient prince who can transform into a firebird and other supernatural beings that Anya thought only existed in fairy tales. Several characters enjoy drinking alcohol, including Anya, who at one point wants “vodka, anything alcoholic, to calm her scattered nerves.” The book’s dialogue can be both obvious and clunky, as when a character states, “I can’t make you stay but it’s going to be a shit fight and I would feel better having you fighting at my side.” However, the story incorporates a fair share of surprises, and never fails to provide new scenes featuring bloodshed and strange new creatures (“It flopped, bloody as a newborn onto the ground and stretched its wings. It started to cry and grew to the size of a horse”). The beasts, in particular, help this story to move beyond the genre’s many clichés, and their complexity extends well beyond typical fantasy creatures.

Fantasy fans will likely enjoy Anya’s adventures, which feature novel supernatural elements in a modern setting.

Pub Date: Feb. 3, 2015

ISBN: 978-1503093881

Page Count: 518

Publisher: CreateSpace

Review Posted Online: April 9, 2015

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THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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  • New York Times Bestseller


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THE SOUTHERN BOOK CLUB'S GUIDE TO SLAYING VAMPIRES

Fans of smart horror will sink their teeth into this one.

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  • New York Times Bestseller


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Things are about to get bloody for a group of Charleston housewives.

In 1988, the scariest thing in former nurse Patricia Campbell’s life is showing up to book club, since she hasn’t read the book. It’s hard to get any reading done between raising two kids, Blue and Korey, picking up after her husband, Carter, a psychiatrist, and taking care of her live-in mother-in-law, Miss Mary, who seems to have dementia. It doesn’t help that the books chosen by the Literary Guild of Mt. Pleasant are just plain boring. But when fellow book-club member Kitty gives Patricia a gloriously trashy true-crime novel, Patricia is instantly hooked, and soon she’s attending a very different kind of book club with Kitty and her friends Grace, Slick, and Maryellen. She has a full plate at home, but Patricia values her new friendships and still longs for a bit of excitement. When James Harris moves in down the street, the women are intrigued. Who is this handsome night owl, and why does Miss Mary insist that she knows him? A series of horrific events stretches Patricia’s nerves and her Southern civility to the breaking point. (A skin-crawling scene involving a horde of rats is a standout.) She just knows James is up to no good, but getting anyone to believe her is a Sisyphean feat. After all, she’s just a housewife. Hendrix juxtaposes the hypnotic mundanity of suburbia (which has a few dark underpinnings of its own) against an insidious evil that has taken root in Patricia’s insular neighborhood. It’s gratifying to see her grow from someone who apologizes for apologizing to a fiercely brave woman determined to do the right thing—hopefully with the help of her friends. Hendrix (We Sold Our Souls, 2018, etc.) cleverly sprinkles in nods to well-established vampire lore, and the fact that he’s a master at conjuring heady 1990s nostalgia is just the icing on what is his best book yet.

Fans of smart horror will sink their teeth into this one.

Pub Date: April 7, 2020

ISBN: 978-1-68369-143-3

Page Count: 400

Publisher: Quirk Books

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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