A bloated backstory makes this a “to-read” for die-hard fans only.
A lonely man gets a second chance with his shape-shifting boyhood love in this emotional paranormal romance.
Oxnard Matheson is only 12 when his abusive father abandons him and his mother, leaving the boy to quickly step into the role of provider. For a multitude of reasons, Ox lives a solitary life though he’s desperate for connection. His dad’s cruelty dented his self-esteem. He's bullied at school because of his slow speech, and working a full-time job before becoming a teenager doesn't leave much room for a social life. A bright spot comes in the way of new neighbors—the Bennett family—who show up when Ox is 16. He’s instantly accepted by them, finding a close friend in the youngest Bennett, Joe, who’s 10. They’re an odd group, but they take a liking to Ox and soon feel close enough to reveal their secret: They're actually a pack of wolf shifters. Ox hopes they'll become a permanent fixture in the Green Creek community, and they stay for several years. But nothing good lasts forever in Ox’s world, and a devastating murder drives the Bennett family away. It's only years later, when Joe reappears, that Ox can start to address the trauma he's experienced over his frequent abandonment. The vignettes telling the story of Ox's early life feel clunky compared to Klune's more lyrical fantasy offerings. For a large part of the story, Ox is a teenager in desperate need of guidance, falling in love with someone six years his junior. While experiencing Ox’s formative years and constant yearning for connection is undoubtedly important to the story, his adulthood makes for a more compelling (and comfortable) read.
A bloated backstory makes this a “to-read” for die-hard fans only.Pub Date: July 4, 2023
ISBN: 9781250890313
Page Count: 528
Publisher: Tor
Review Posted Online: May 9, 2023
Kirkus Reviews Issue: June 1, 2023
Sink your teeth into this delightful paranormal romance with a modern twist.
A vampire and an Alpha werewolf enter into a marriage of convenience in order to ease tensions between their species.
As the only daughter of a prominent Vampyre councilman, Misery Lark has grown accustomed to playing the role that’s demanded of her—and now, her father is ordering her to be part of yet another truce agreement. In an effort to maintain goodwill between the Vampyres and their longtime nemeses the Weres, Misery must wed their Alpha, Lowe Moreland. But it turns out that Misery has her own motivations for agreeing to this political marriage, including finding answers about what happened to her best friend, who went missing after setting up a meeting in Were territory. Isolated from her kind and surrounded on all sides by the enemy after the wedding, Misery refuses to let herself forget about her real mission. It doesn’t matter that Lowe is one of the most confounding and intense people she’s ever met, or that the connection building between them doesn’t feel like one born entirely of convenience. There’s also the possibility that Lowe may already have a Were mate of his own, but in spite of their biological differences, they may turn out to be the missing piece in each other’s lives. While this is Hazelwood’s first paranormal romance, and the book does lean on some hallmark tropes of the genre, the contemporary setting lends itself to the author’s trademark humor and makes the political plot more easily digestible. Misery and Lowe’s slow-burn romance is appealing enough that readers will readily devour every moment between them and hunger to return to them whenever the story diverts from their scenes together.
Sink your teeth into this delightful paranormal romance with a modern twist.Pub Date: Feb. 6, 2024
ISBN: 9780593550403
Page Count: 416
Publisher: Berkley
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
PERSPECTIVES
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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