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THE ANT AND THE GRASSHOPPER

Aesop’s fable gets a Northern Chinese setting in this stiffly formal version. As the ants, “mindful of the winter to come,” work “to secure their home against the impending cold and snow,” Grasshopper idly enjoys watching the activities of the Emperor and his court—and so is caught flat when the court suddenly moves away to its winter quarters, and the ants too disappear. The tale thereupon ends abruptly, with neither the moral nor Grasshopper’s fate made explicit. The illustrations are also sketchy, reduced to essentials. Though Poole (How The Rooster Got His Crown, 1999) sets this in the Imperial Summer Gardens, near which she lived for four years, backgrounds are suggested with, at most, a few brushstrokes. Similarly, patterns on the court’s robes are indistinct, as are the courtiers’ faces, and for a garden, the visible landscapes look surprisingly bare. Grasshopper himself is rendered in a stylized way, with a flexible, mantis-like neck, human eyes, and legs that seem to migrate along his body from scene to scene. Poole uses traditional Chinese brushes and techniques here, and judging from the visual result and the appended note seems more focused on the technical exercise than the story. Still, children will get the point, as well as a ground-level glimpse of a vanished way of life, and picture book versions of the fable are rare. (Picture book/folktale. 7-9)

Pub Date: Sept. 15, 2000

ISBN: 0-8234-1477-9

Page Count: 32

Publisher: Holiday House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2000

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RIVER STORY

Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)

Pub Date: June 1, 2000

ISBN: 0-7636-0792-4

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2000

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HORRIBLE HARRY AT HALLOWEEN

Every year since kindergarten, Harry’s Halloween costume has gotten scarier and scarier. What’s it going to be this year? He’s not telling. His classmates are all stunned when he shows up, not as some monster or a weird alien (well, not really)—but as neatly dressed Sgt. Joe Friday of Dragnet fame, wielding a notebook and out to get “just the facts, ma’am.” As she has in Harry’s 11 previous appearances (15, counting the ones his classmate Song Lee headlines), Kline (Marvin and the Mean Words, 1997, etc.) captures grammar-school atmosphere, personalities, and incidents perfectly, from snits to science projects gone hilariously wrong. She even hands Harry/Friday a chance to exercise his sleuthing abilities, with a supply of baby powder “fairy dust” gone mysteriously missing. As legions of fans have learned to expect, Harry comes through with flying colors, pinning down the remorseful culprit in 11 minutes flat. No surprises here, just reliable, child-friendly, middle-grade fare. Illustrations not seen. (Fiction. 7-9)

Pub Date: Sept. 1, 2000

ISBN: 0-670-88864-8

Page Count: 64

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2000

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