This lovely tribute to the power of music to take us away and soothe our fears will likely fly over the heads of its...
On her way to a concert, a young girl loses the hand of the adult taking her. Following a trail of music through the city, she finds her way home where “the best songs love you back.”
This familiar home-away-home narrative arc is set in a busy city. Coming out from the subway, the girl hears music everywhere, beginning with a flute player whose notes emerge embodied as yellow birds. Music is on street corners, floating through windows and in the natural world. Kites carry her to the rooftops, where she dances with ballerinas. Double-page spreads feature clean, stylized shapes. Gray at first, these illustrations gradually fill with color. The yellow of the child’s slicker matches the birds she follows; though small, she’s easy to find. Cats are everywhere. The minimal text is set in a small font, often part of the negative space on the page. This is clearly designed for sharing, not for independent reading. Adults will need to interpret the image of an empty turntable that opens the story and to provide reassurance on the scary pages where the two hands separate and the girl is lost among the faceless crowd.
This lovely tribute to the power of music to take us away and soothe our fears will likely fly over the heads of its intended audience. (Picture book. 4-7)Pub Date: June 7, 2011
ISBN: 978-1-936365-39-5
Page Count: 48
Publisher: McSweeney's McMullens
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
BOOK REVIEW
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Pitch-perfect tension and delightful silliness.
The legend of a giant, dangerous duck at Cucumonga Campground looms large.
Young Hector and his family are on vacation. Everything seems pleasant except for the many objects that have gone missing and the warnings Hector keeps receiving. Everyone tells him not to interact with the ducks. Don’t go near them, don’t look at them, and absolutely, positively, do not feed them. To further emphasize the point, “DO NOT FEED THE DUCKS” signs pop up every few feet at the campground. So what does Hector do? He feeds the ducks. They just look so cute and hungry. Amid the many feathers flapping, a large, foreboding shadow suddenly crosses the lake. Colón builds suspense through short, clipped narration. The weather turns ominous, and people flee in terror—it’s…THE QUACKEN! The fearsome, colossal wildfowl has appeared! It’s always one step ahead of Hector until there is no escape. Hector is popped into the duck’s bill like a delicious morsel. But, luckily for Hector, “children taste terrible.” Reminiscent of old, cheesy horror films, this tale will make a hilariously over-the-top read-aloud. Pino ramps up the drama in his illustrations, alternating full-page spreads with graphic novel–like panels and vignettes. Hector and his family are brown-skinned, while other campers are racially diverse.
Pitch-perfect tension and delightful silliness. (Picture book. 4-7)Pub Date: July 16, 2024
ISBN: 9781665922487
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: April 20, 2024
Kirkus Reviews Issue: May 15, 2024
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