A concise, positive, practical and highly recommended source of advice and solace for anyone guiding a young musician’s life.

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The Music Parents' Survival Guide

A PARENT-TO-PARENT CONVERSATION

Almost everything a parent needs to know about the challenges and rewards of children’s music lessons.

Nathan (Round and Round Together, 2012, etc.) offers the flip side of her 2008 book, The Young Musician’s Survival Guide, and looks at parents’ experiences with their children’s music study, including its delights, dilemmas, expenses and intangibles. Inspired by her own experience but primarily drawing from interviews with other parents, she offers 12 chapters, each carefully labeled so that harried readers can turn directly to the most pertinent information. Every parent who pays for music instruction, ferries children to lessons, provides instruments and listens to his or her kid practicing exercises asks similar questions: Which instrument? Is there life after lessons? Can they make a living at it? Parents of now-famous musicians reveal in interviews that there’s no one right way to begin, or even know to begin, a child’s musical career. Shirley Bell, the mother of world-renowned violinist Joshua Bell, discovered her son’s talent when the 2-year-old created his own musical instrument from rubber bands and drawer knobs, but she says that she “never anticipated that it would be a career.” Other parents share effective, sometimes indirect ways to encourage practicing in two useful sections. One chapter is devoted to finding a teacher and offers wise tips: Attend kids’ concerts and check nearby colleges, local orchestras and summer programs. The interviewees’ consensus is, unsurprisingly, that it’s all worth it, even if children don’t turn into professional musicians; it gives them a lifelong source of delight and, as parent Theresa Chong affirms, it can forge “a close connection…through our shared passion for music.” There’s also a handy bibliography for further research, a source list and an index.

A concise, positive, practical and highly recommended source of advice and solace for anyone guiding a young musician’s life.

Pub Date: June 12, 2014

ISBN: 978-0199837120

Page Count: 282

Publisher: Oxford Univ.

Review Posted Online: Dec. 18, 2014

Kirkus Reviews Issue: Jan. 15, 2015

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MARTIN LUTHER KING, JR. AND THE MARCH ON WASHINGTON

This early reader is an excellent introduction to the March on Washington in 1963 and the important role in the march played by Martin Luther King Jr. Ruffin gives the book a good, dramatic start: “August 28, 1963. It is a hot summer day in Washington, D.C. More than 250,00 people are pouring into the city.” They have come to protest the treatment of African-Americans here in the US. With stirring original artwork mixed with photographs of the events (and the segregationist policies in the South, such as separate drinking fountains and entrances to public buildings), Ruffin writes of how an end to slavery didn’t mark true equality and that these rights had to be fought for—through marches and sit-ins and words, particularly those of Dr. King, and particularly on that fateful day in Washington. Within a year the Civil Rights Act of 1964 had been passed: “It does not change everything. But it is a beginning.” Lots of visual cues will help new readers through the fairly simple text, but it is the power of the story that will keep them turning the pages. (Easy reader. 6-8)

Pub Date: Jan. 1, 2001

ISBN: 0-448-42421-5

Page Count: 48

Publisher: Grosset & Dunlap

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 1, 2000

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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