A poetic, visually stunning depiction of a young woman’s travels via motorcycle with dated descriptors.
“She dreams of wandering the world.”
Striking, light-filled illustrations with the look of mid-20th-century monotone prints and informative, evocative text tell the true story of Anne-France Dautheville, a White journalist who left her home in Paris in 1972 to embark on a decadelong, international motorcycle journey that she depicted in a series of articles and memoirs. While her writing is mentioned, the focus here is on the travels themselves, told with realistic, dreamlike detail from the perspective of a lone woman imbued with a sense of awe and freedom. Obstacles involving falls from and repairs of her bike are included, and the surprise and respect she received from girls along the way help depict the view and position of women during the time period. The use of the word girl in the title is a misnomer as Dautheville was 28 when she began her travels, though this may be a translation issue (the title echoes that of Dautheville’s 1973 memoir, Une demoiselle sur une moto); more disappointing is the use of the word girl throughout the book, from both a feminist perspective and a factual one. Still, word choice aside, this is an exhilarating story of an independent Frenchwoman who challenged prevailing beliefs to follow her heart, to travel, and to observe and describe different cultures and countries (Canada, India, and Afghanistan are highlighted) from a unique, outsider’s point of view. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 67.8% of actual size.)
A poetic, visually stunning depiction of a young woman’s travels via motorcycle with dated descriptors. (biographical note, author’s note) (Picture book/biography. 6-10)Pub Date: Sept. 8, 2020
ISBN: 978-0-593-11629-6
Page Count: 48
Publisher: Viking
Review Posted Online: July 27, 2020
Kirkus Reviews Issue: Aug. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Graphite wizardry notwithstanding, a showcase or keepsake with more personal than general meaning.
In a series of atmospheric tableaux, the distinguished Canadian author/illustrator portrays mementos and images from visits to each province and territory over his long career.
U.S. and perhaps even Canadian children are going to need the descriptive notes he tacks on at the end, because without labels, the folk dolls, hand-carved animals, and other small items on display have no context beyond an occasional place name. (This lack really comes home to roost with the Yukon spread’s ordinary-looking tobacco tin—which contains, Wallace assures us, the “infamous ingredient” in a “sourtoe cocktail.”) Signaling that the “cabinet” is at least partly imaginary, shelves turn into landscapes or assemblages of images as the survey progresses, and Wallace caps his notes with a self-portrait that makes the notion explicit. Finally, though the results are technically masterful, pencil may not have been the best choice for the art, as a silhouette representing the author’s well-traveled red sneakers and a red Chinese money envelope are both monochrome, and he makes much of a fan letter decorated with a rainbow that, here, is just a set of barely distinguishable gray stripes.
Graphite wizardry notwithstanding, a showcase or keepsake with more personal than general meaning. (introduction) (Picture book. 6-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-55498-922-5
Page Count: 36
Publisher: Groundwood
Review Posted Online: June 26, 2017
Kirkus Reviews Issue: July 15, 2017
Play music from Mexico and dance to the beat.
An ode to Mexico’s rich heritage of indigenous dance.
Amalia Hernández was born in Mexico City in 1917 and saw her first local dance performance when still a young girl. Entranced, she determined to become a dancer, and with her parents’ encouragement, she began to study ballet and, later, modern dance. She then started to choreograph, basing her steps on “folkloric danzas” similar to what she had seen as a child. Hernández followed this first foray by forming her own small troupe and fashioning numbers based on Mexico’s many different traditions and indigenous danzas. Her work melded old traditions with ballet and modern dance and was filled with drama, featuring colorful costumes and sets. Works based on Mexican history also became part of her company’s repertoire, along with music from Europe such as the waltz. National and international success and acclaim followed for her company, El Ballet Folklórico de México. Tonatiuh tells Hernández’s story with careful attention to detail and with obvious admiration for the subject, adding in his author’s note how popular Mexican dance is across both Mexico and the United States. His digitized, hand-drawn illustrations are striking. They showcase, in his signature style based on Mixtec art, the beauty and grace of many different dance styles.
Play music from Mexico and dance to the beat. (glossary, bibliography, index) (Picture book/biography. 6-10)Pub Date: Aug. 22, 2017
ISBN: 978-1-4197-2532-6
Page Count: 32
Publisher: Abrams
Review Posted Online: June 13, 2017
Kirkus Reviews Issue: July 1, 2017
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