by Duncan Tonatiuh ; illustrated by Duncan Tonatiuh ‧ RELEASE DATE: Oct. 24, 2023
A superb portrait of Afro-Brazilian endurance.
The mighty history of capoeira—and one of the form’s central figures.
A cultural expression that blends fighting, music, dance, and theatrics, capoeira arose from the beliefs and customs of the African peoples who were forced into slavery by the Portuguese in Brazil. Tonatiuh details capoeira’s tumultuous rise, from its banning in Brazil in 1890, two years after the abolition of slavery, to “a celebrated art” across the early 20th century. Mestre Bimba (born Manoel dos Reis Machado in 1899) developed a new kind of capoeira called Luta Regional Baiana. Determined to change the form’s “bad reputation,” Bimba opened an academia and taught capoeira in a formalized manner, leading to public bouts that reinforced his notion of capoeira as an artistic expression of resistance. Thanks to Mestre Bimba’s struggles, as well as the endeavors of other capoeiristas and a slightly more tolerant Brazilian government, capoeira eventually was decriminalized in the 1950s, leading to greater participation, including among previously excluded segments of the population such as women. The author/illustrator’s trademark pre-Columbian-flavored artwork lends itself wonderfully to the subject matter, with exaggerated poses and razor-sharp linework conveying body movements. Several illustrations depict shadows of capoeiristas as silhouettes of enslaved people, emphasizing the form’s origins. A glossary and in-depth author’s note provide further illuminating context. (This book was reviewed digitally.)
A superb portrait of Afro-Brazilian endurance. (endnotes, photos, bibliography) (Informational picture book. 5-10)Pub Date: Oct. 24, 2023
ISBN: 9781419764585
Page Count: 48
Publisher: Abrams
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
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by Chris Paul ; illustrated by Courtney Lovett ‧ RELEASE DATE: Jan. 10, 2023
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
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by Chris Paul & illustrated by Frank Morrison
by Malala Yousafzai ; illustrated by Kerascoët ‧ RELEASE DATE: Oct. 17, 2017
An inspiring introduction to the young Nobel Peace Prize winner and a useful conversation starter.
The latest of many picture books about the young heroine from Pakistan, this one is narrated by Malala herself, with a frame that is accessible to young readers.
Malala introduces her story using a television show she used to watch about a boy with a magic pencil that he used to get himself and his friends out of trouble. Readers can easily follow Malala through her own discovery of troubles in her beloved home village, such as other children not attending school and soldiers taking over the village. Watercolor-and-ink illustrations give a strong sense of setting, while gold ink designs overlay Malala’s hopes onto her often dreary reality. The story makes clear Malala’s motivations for taking up the pen to tell the world about the hardships in her village and only alludes to the attempt on her life, with a black page (“the dangerous men tried to silence me. / But they failed”) and a hospital bracelet on her wrist the only hints of the harm that came to her. Crowds with signs join her call before she is shown giving her famous speech before the United Nations. Toward the end of the book, adult readers may need to help children understand Malala’s “work,” but the message of holding fast to courage and working together is powerful and clear.
An inspiring introduction to the young Nobel Peace Prize winner and a useful conversation starter. (Picture book/memoir. 5-8)Pub Date: Oct. 17, 2017
ISBN: 978-0-316-31957-7
Page Count: 48
Publisher: Little, Brown
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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by Malala Yousafzai with Patricia McCormick
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