by Amy Young ; illustrated by Amy Young ‧ RELEASE DATE: June 27, 2017
A lively tale about the changing dynamics of friendship.
When Cole arrives, best friends Sparkle and Lucy learn to navigate friendship as a trio.
Sparkle the unicorn-goat and Lucy, his determined girl owner, return (A Unicorn Named Sparkle, 2016), this time for a play date. Jealousy rears its ugly horn when new-kid Cole and Lucy hit it off, causing Sparkle to sabotage their fun. Drumming brings the quadruped around, but then it’s Lucy’s turn to feel left out. Music ultimately unites the three, as they drum and dance to one another’s beat. Appealing illustrations, done in pen with pastel washes of color, are warm and inviting. Expressive characters with silly poses may invoke giggles. While the first book focused on Lucy’s fanciful imagination and the contrast of her expectations with reality, this story is linear and potentially the more satisfying of the two. Aside from the cover, there is no glitter and fewer rainbows, but the entertaining narrative panels enhance the playful text. Later, when Sparkle and the curly, black-haired Lucy (who has a peach complexion, a couple shades darker than blond, pale-skinned Cole’s) share a cupcake, they also share a moment, realizing they can make new friends and still be best friends.
A lively tale about the changing dynamics of friendship. (Picture book. 3-7)Pub Date: June 27, 2017
ISBN: 978-0-374-30553-6
Page Count: 40
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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by Eric Carle ; illustrated by Eric Carle ‧ RELEASE DATE: Dec. 15, 2015
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
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edited by Eric Carle
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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