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HELLO, TREE

Both an appreciation of nature and an ultimately hopeful reminder about our symbiotic relationship with it.

A steadfast pine tree grows alongside a young girl.

The tree narrates, describing how the pair play together and provide each other comfort and companionship. Life is serene in the forest clearing where both the girl’s family’s house and the tree are situated, until a lightning storm brings fire and chaos. Animals flee, and the girl and her family evacuate, leaving the tree alone. Miraculously, the tree survives, yet destruction is all around. Charred trunks, barren land, and the ruins of the girl’s home have replaced the verdant lushness of the thriving forest. Nature finds a way though, and through the combined efforts of the human and animal communities (the latter never anthropomorphized), the forest regrows, and the cycle of stewardship is passed along to the next generation. Though told from the tree’s perspective, this quietly powerful tale of ecological awareness will prompt reflection about readers’ own roles in coexisting with and protecting nature. The simple, evocative text captures the placid, ever faithful voice of the tree and pairs well with the detailed illustrations. The deep greens of the mature forest project a strong sense of reassurance and vitality that effectively contrasts with the bleak browns, blacks, and grays of the post-fire scenes. The girl and her family have black hair and olive skin. (This book was reviewed digitally.)

Both an appreciation of nature and an ultimately hopeful reminder about our symbiotic relationship with it. (additional facts, author's notes) (Picture book. 4-8)

Pub Date: Sept. 14, 2021

ISBN: 978-0-316-42526-1

Page Count: 40

Publisher: Little, Brown

Review Posted Online: July 13, 2021

Kirkus Reviews Issue: Aug. 1, 2021

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PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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THE WATER PRINCESS

Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...

An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.

Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.

Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)

Pub Date: Sept. 13, 2016

ISBN: 978-0-399-17258-8

Page Count: 40

Publisher: Putnam

Review Posted Online: May 17, 2016

Kirkus Reviews Issue: June 1, 2016

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