by Ana Gerhard ; illustrated by Marie Lafrance ‧ RELEASE DATE: May 1, 2021
Slight and frustratingly incomplete.
Minim, a mouse who loves both cheese and music, encounters the Italian composer Antonio Vivaldi.
In 19th-century Venice, Minim has a narrow escape in Vivaldi’s music school, where he has been sent to exchange a coin for a child’s baby tooth. Even without knowing that in Italy the tooth fairy employs a small mouse, young U.S. readers will be charmed. The night of this story is dark and cold, and Minim (the British term for a half-note) has more errands to do, but this mouse does love music. Lingering to read the child’s thank-you note imperils him when he is noticed by the cat. But fortunately, when the orchestra suddenly strikes up, the cat is more interested in the music than the mouse. Lafrance’s drawings accentuate the gray of the night and the institution and the small size of the mouse compared to its surroundings. (He is depicted with near-human proportions on the cover but is considerably smaller in interior illustrations.) All humans are shown as White. An accompanying CD includes the story, ably narrated by Colm Feore, and, curiously, only two of the three movements of Vivaldi’s “Winter,” from The Four Seasons. The backmatter includes the entire text of the winter sonnet and reveals that Vivaldi was choirmaster and concertmaster at a girls orphanage. He composed much of his music for his pupils and the orchestra of that institution (though not the selections accompanying this title). This is the third in a music-appreciation series which includes visits to Mozart and Tchaikovsky as well.
Slight and frustratingly incomplete. (Picture book. 4-8)Pub Date: May 1, 2021
ISBN: 978-2-924774-84-7
Page Count: 36
Publisher: The Secret Mountain
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson ‧ RELEASE DATE: March 29, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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by Peter H. Reynolds ; Paul A. Reynolds ; illustrated by Peter H. Reynolds ‧ RELEASE DATE: March 18, 2014
Not astonishingly go-out-and-buy-it-at-graduation inspirational, but all it takes is one seed of change to be planted.
Imagination soars—quite literally—when a little girl follows her own set of rules.
Every year Oak Hill School has a go-kart race called the Going Places contest. Students are given identical go-kart kits with a precise set of instructions. And of course, every single kart ends up exactly the same. Every one, that is, except Maya’s. Maya is a dreamy artist, and she would rather sketch birds in her backyard than get caught up in the competition. When she finally does start working, she uses the parts in the go-kart box but creates something completely different. No one ever said it had to be a go-kart. Maya’s creative thinking inspires Rafael, her neighbor (and the most enthusiastic Going Places contestant), to ask to team up. The instructions never say they couldn’t work together, either! An ode to creativity and individuality to be sure, but the Reynolds brothers are also taking a swipe at modern education: Endless repetition and following instructions without question create a culture of conformity. Hopefully now, readers will see infinite possibility every time the system hands them an identical go-kart box.
Not astonishingly go-out-and-buy-it-at-graduation inspirational, but all it takes is one seed of change to be planted. (Picture book. 4-8)Pub Date: March 18, 2014
ISBN: 978-1-4424-6608-1
Page Count: 40
Publisher: Atheneum
Review Posted Online: Jan. 14, 2014
Kirkus Reviews Issue: Feb. 1, 2014
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by Pope Francis & Peter H. Reynolds with Paul A. Reynolds ; illustrated by Peter H. Reynolds
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