CINDER THE FIREPLACE BOY

AND OTHER GAYLY GRIMM TALES

by Ana Mardoll illustrated by Alex Dingley ‧ RELEASE DATE: Nov. 21, 2021

LGBTQ+ characters take center stage in Mardoll’s reimagining of classic fairy tales.

Mardoll’s fairy tales might sound familiar, but if readers pay close attention, they’ll notice he’s made a few changes from the classic Brothers Grimm versions. In one, a prince who makes a reluctant deal with a frog discovers the amphibian is a beautiful young man in disguise. In another, a princess falls in love with a woman trapped high in a tower, accessible only by climbing the woman’s long golden hair. In the wonderfully titled “Sometimes Hansel and Othertimes Gretel,” a woodcutter’s child identifies as a boy on some days and a girl on others. The kind woodcutter accepts the child’s fluidity, while the child’s mother is annoyed by it. As Mardoll explains in the book’s introduction, he has always loved the Grimms’ fairy tales—and has frequently given volumes of them as gifts—but found them lacking in one area specifically. “I was proud to share my love for these tales, even if sometimes I felt a gnawing hunger when I remembered how heteronormative the stories were; how much sooner would I have found my queer self if those old tales had contained queer representation?” In these 31 versions of the classic tales, Mardoll has removed instances of racism, antisemitism, and Christian moralizing while introducing queer and disabled characters. Women fall in love with women; husbands give birth to babies; and beautiful maidens use wheelchairs to get around. The tales are preceded by content notes warning of potential triggers, from the classic (“Cannibalism, Murder, Dismemberment, Execution”) to the contemporary (“Accidental Misgendering”). Mardoll also starts each story by identifying the pronouns of the characters who will appear in it.

Mardoll’s prose mimics the fabulist style of the original tales. The language is precise without delving too deeply into the specifics of character: “Once upon a time there lived a child who liked to be idle and daydream, as children often do. Their mother was very vexed by this and accused the child of being lazy, insisting that a young person on the cusp of adulthood as they were should learn a useful trade such as spinning yarn.” Gorgeous color illustrations by Dingley, which manage to feel medieval and modern at the same time, accompany the text. Some of the tales are essentially the originals with a few pronouns swapped: The Frog Prince seduces a man, and Rapunzel is wooed by a woman. The more interesting ones are those in which the characters’ queerness contributes to the plot, as in the fairly ingenious title story, which is perhaps the best in the book. The protagonist is a boy who everyone thinks is a girl. His cruel stepmother and stepsisters misgender him and call him Cinderella, and it’s only the power of a magic bird that allows him to present his true self to the handsome prince. While the reader may sometimes wish Mardoll had allowed the characters’ new traits to propel the stories in new and surprising directions, the author has succeeded in his task of creating more inclusive versions of the stories that the Grimms fans know and love.

A welcome, clever update of fairy tales that work best when they reinvent the originals.

Pub Date: Nov. 21, 2021

ISBN: 979-8985042412

Page Count: 232

Publisher: Acacia Moon Publishing

Review Posted Online: Dec. 15, 2021

Kirkus Reviews Issue: Feb. 1, 2022

Review Program: Kirkus Indie

Categories:

FANTASY | GENERAL FANTASY | LGBTQ