by Anand Gopal ‧ RELEASE DATE: April 29, 2014
A grim picture of a complicated and troubling situation.
A fellow at the New American Foundation looks at the policies, actions and failures of the United States in Afghanistan.
Beginning in 2008, Gopal, correspondent for the Wall Street Journal and the Christian Science Monitor, spent four years traveling throughout Afghanistan. Bearded, dressed as a native and speaking like one, he heard stories from fighters, tribal elders, young boys and government officials that challenged his ideas about the war and how we fought it. The author argues that the United States sees the world in black and white—friend versus enemy, good versus evil, etc.—a simplistic view that fails to encompass the complexities of Afghanistan. He presents his analysis of Afghanistan through three individuals: Mullah Cable, a Taliban commander; Jan Muhammad, a member of the U.S.-backed Afghan government; and Heela, a village housewife. His portraits of these three and their tumultuous lives are rich in detail, as are his descriptions of their stark and war-ravaged land. Gopal puts the present Afghanistan in perspective by describing the civil war that followed the withdrawal of Soviet troops in 1989, the emergence in 1994 of the Taliban, who disbanded warring militias and imposed a regime of harsh Islamic law, and the regrouping of the militias in 1996 as the Northern Alliance, which continued to fight the Taliban for the next five years. After 9/11, when the U.S. failed to make a deal with the Taliban to turn over terrorists, including Osama bin Laden, the attacks by American forces began. The chaos that followed has seen power struggles and shifting alliances; attempts to bring stability and root out corruption have failed. American contracts with local power brokers have created a new class of warlords whose militias are known as private security companies. What will happen, Gopal wonders, when the Americans leave and the money dries up?
A grim picture of a complicated and troubling situation.Pub Date: April 29, 2014
ISBN: 978-0-8050-9179-3
Page Count: 320
Publisher: Metropolitan/Henry Holt
Review Posted Online: March 17, 2014
Kirkus Reviews Issue: April 1, 2014
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by Anand Gopal
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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