An emeritus professor of art, Shafer spins a few bare wisps of documentation into a series of diary entries chronicling a 16th-century artist’s journey from Antwerp to Italy and back. On the way, young Pieter stops to talk with peasants, marvels at the Alps, sees a Protestant prisoner, falls into an Ottoman raid on the town of Reggio, and meets the great Michelangelo. “He draws and sculpts like an angel, but stinks like a monkey. . . . I shall try to make my figures more solid and rounded.” He relates other incidents as well; nearly all are reflected in his few surviving paintings and drawings, 16 of which are reproduced in sharp, small images at the end. For the diary entries, Shafer wields his own pen and brush fluidly, sketching in large watercolors people and places, streets, mountains and other sights as Bruegel might have seen them. Shafer’s commentary on the appended works, and his analytical, page-filling biographical note, will be more meaningful to readers who have studied art and art history, but even those who haven’t, as yet, will get both a sense of how an artist might have incorporated his experiences into his work, and a glimpse of Europe in a tumultuous time. (Picture book. 9-12)
Pub Date: June 1, 2001
ISBN: 0-525-46986-9
Page Count: 40
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
Though occasionally heavy-handed, this debut offers a vivid glimpse of the 1960s South through the eyes of a spirited girl...
The closing of her favorite swimming pool opens 11-year-old Gloriana Hemphill’s eyes to the ugliness of racism in a small Mississippi town in 1964.
Glory can’t believe it… the Hanging Moss Community Pool is closing right before her July Fourth birthday. Not only that, she finds out the closure’s not for the claimed repairs needed, but so Negroes can’t swim there. Tensions have been building since “Freedom Workers” from the North started shaking up status quo, and Glory finds herself embroiled in it when her new, white friend from Ohio boldly drinks from the “Colored Only” fountain. The Hemphills’ African-American maid, Emma, a mother figure to Glory and her sister Jesslyn, tells her, “Don’t be worrying about what you can’t fix, Glory honey.” But Glory does, becoming an activist herself when she writes an indignant letter to the newspaper likening “hateful prejudice” to “dog doo” that makes her preacher papa proud. When she’s not saving the world, reading Nancy Drew or eating Dreamsicles, Glory shares the heartache of being the kid sister of a preoccupied teenager, friendship gone awry and the terrible cost of blabbing people’s secrets… mostly in a humorously sassy first-person voice.
Though occasionally heavy-handed, this debut offers a vivid glimpse of the 1960s South through the eyes of a spirited girl who takes a stand. (Historical fiction. 9-12)Pub Date: Jan. 1, 2012
ISBN: 978-0-545-33180-7
Page Count: 208
Publisher: Scholastic
Review Posted Online: Sept. 27, 2011
Kirkus Reviews Issue: Oct. 15, 2011
BOOK REVIEW
BOOK REVIEW
Falters in its oversimplified portrayal of a complicated region and people.
Parallel storylines take readers through the lives of two young people on Sept. 11 in 2001 and 2019.
In the contemporary timeline, Reshmina is an Afghan girl living in foothills near the Pakistan border that are a battleground between the Taliban and U.S. armed forces. She is keen to improve her English while her twin brother, Pasoon, is inspired by the Taliban and wants to avenge their older sister, killed by an American bomb on her wedding day. Reshmina helps a wounded American soldier, making her village a Taliban target. In 2001, Brandon Chavez is spending the day with his father, who works at the World Trade Center’s Windows on the World restaurant. Brandon is heading to the underground mall when a plane piloted by al-Qaida hits the tower, and his father is among those killed. The two storylines develop in parallel through alternating chapters. Gratz’s deeply moving writing paints vivid images of the loss and fear of those who lived through the trauma of 9/11. However, this nuance doesn’t extend to the Afghan characters; Reshmina and Pasoon feel one-dimensional. Descriptions of the Taliban’s Afghan victims and Reshmina's gentle father notwithstanding, references to all young men eventually joining the Taliban and Pasoon's zeal for their cause counteract this messaging. Explanations for the U.S. military invasion of Afghanistan in the author’s note and in characters’ conversations too simplistically present the U.S. presence.
Falters in its oversimplified portrayal of a complicated region and people. (author’s note) (Fiction. 9-12)Pub Date: Feb. 2, 2021
ISBN: 978-1-338-24575-2
Page Count: 336
Publisher: Scholastic
Review Posted Online: Dec. 14, 2020
Kirkus Reviews Issue: Jan. 1, 2021
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