A unique read-aloud that blends world cultures, poetic form, and natural splendor.

RAIN

A pastoral panorama of bucolic settings, spare verse, and multicultural depictions of rain in this Swedish import.

Whether drops of water, flakes of snow, cherry-blossom petals, or dripping tendrils of moss, rains can nourish life, extinguish fires, and offer steady percussion for a locomotive musical interlude. On each rainy spread, life happens in haiku, with all its cultural variety and complexity: A crane observes two children resolving a quarrel, a goatherd wiggles a loose tooth while surveying the flock, a lighthouse keeper discovers an unmoored boat as puffins glide by, rangers monitor a dying forest fire while creatures scurry away, and travelers with llamas climb a steep hillside, stopping for a beetle in their path. Visual details encourage readers to learn more about the countries of origin of the peoples and animals depicted throughout. A short note on the copyright page explains haiku, especially the role of nature in the classic form. While these poems do not strictly follow all the characteristics of haiku, they do evoke different moods, such as the gathering darkness of a crocodile swamp. They also break stereotypes by juxtaposing technology and rural life—a cellphone rings amid a group of bareback riders galloping across a steppe. Most of all, they invite readers to pore over each colorful, expressive illustration to discover visual clues contained in the spare verse.

A unique read-aloud that blends world cultures, poetic form, and natural splendor. (Picture book/poetry. 5-8)

Pub Date: Oct. 9, 2018

ISBN: 978-0-8028-5507-7

Page Count: 32

Publisher: Eerdmans

Review Posted Online: Aug. 14, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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A good overview of this complex, essential organ, with an energetic seasoning of silliness.

THE BRAIN IS KIND OF A BIG DEAL

An introduction to the lead guitar and vocalist for the Brainiacs—the human brain.

The brain (familiar to readers of Seluk’s “The Awkward Yeti” webcomic, which spun off the adult title Heart and Brain, 2015) looks like a dodgeball with arms and legs—pinkish, sturdy, and roundish, with a pair of square-framed spectacles bestowing an air of importance and hipness. Other organs of the body—tongue, lungs, stomach, muscle, and heart—are featured as members of the brain’s rock band (the verso of the dust jacket is a poster of the band). Seluk’s breezy, conversational prose and brightly colored, boldly outlined cartoon illustrations deliver basic information. The brain’s role in keeping the heart beating and other automatic functions, directing body movements, interpreting sights and sounds, remembering smells and tastes, and regulating sleep and hunger are all explained, prose augmented by dialogue balloons and information sidebars. Seluk points out, importantly, that feelings originate in the brain: “You can control how you react…but your feelings happen no matter what.” The parodied album covers on the front endpapers (including the Beatles, Pink Floyd, Green Day, Run DMC, Queen, Nirvana) will amuse parents—or at least grandparents—and the rear endpapers serve up band members’ clever social media and texting screenshots. Backmatter includes a glossary and further brain trivia but no resources or bibliography.

A good overview of this complex, essential organ, with an energetic seasoning of silliness. (Informational picture book. 6-8)

Pub Date: Oct. 1, 2019

ISBN: 978-1-338-16700-9

Page Count: 40

Publisher: Orchard/Scholastic

Review Posted Online: June 23, 2019

Kirkus Reviews Issue: July 15, 2019

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A good introduction to observation, data, and trying again.

CECE LOVES SCIENCE

From the Cece and the Scientific Method series

Cece loves asking “why” and “what if.”

Her parents encourage her, as does her science teacher, Ms. Curie (a wink to adult readers). When Cece and her best friend, Isaac, pair up for a science project, they choose zoology, brainstorming questions they might research. They decide to investigate whether dogs eat vegetables, using Cece’s schnauzer, Einstein, and the next day they head to Cece’s lab (inside her treehouse). Wearing white lab coats, the two observe their subject and then offer him different kinds of vegetables, alone and with toppings. Cece is discouraged when Einstein won’t eat them. She complains to her parents, “Maybe I’m not a real scientist after all….Our project was boring.” Just then, Einstein sniffs Cece’s dessert, leading her to try a new way to get Einstein to eat vegetables. Cece learns that “real scientists have fun finding answers too.” Harrison’s clean, bright illustrations add expression and personality to the story. Science report inserts are reminiscent of The Magic Schoolbus books, with less detail. Biracial Cece is a brown, freckled girl with curly hair; her father is white, and her mother has brown skin and long, black hair; Isaac and Ms. Curie both have pale skin and dark hair. While the book doesn’t pack a particularly strong emotional or educational punch, this endearing protagonist earns a place on the children’s STEM shelf.

A good introduction to observation, data, and trying again. (glossary) (Picture book. 5-8)

Pub Date: June 19, 2018

ISBN: 978-0-06-249960-8

Page Count: 40

Publisher: Greenwillow Books

Review Posted Online: March 27, 2018

Kirkus Reviews Issue: April 15, 2018

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