A splendid debut by Canadian writer Alexis (Trinidadian-born): a wistful remembrance of growing up, posing as a love letter to the narrator’s paramour. Thomas Macmillan begins by thinking about love, his longing for the recipient of this “letter,” and about affection itself, as witnessed in his parents Henry and Katarina, both recently dead. His daily itinerary consists of reading, writing, and thinking of the intended, and in the monotony of this routine, he recalls his childhood, far from idyllic yet told with such grace that the simplicity of it becomes a charm. Deserted by his mother (and biological father, always unknown to him), young Thomas goes to live with his cantankerous grandmother, an ex-school marm with a penchant for dandelion wine. The two share an uneasy alliance in a small Canadian city, living in a mutual agreement to stay out of each other’s way. Thomas’s early years in the mid-’60s are filled with nature, comic books, and first loves—among them next-door neighbor Mrs. Schwartz, a childhood friend of his enigmatic mother’s. It is through Mrs. Schwartz that Thomas begins to know Katarina, indeed all through his life she is only real to him through the reflection of others. When at ten his grandmother dies, and Katarina comes to retrieve him, a new, wondrous chapter in his childhood begins when the two go to Ottawa and the house of Henry Wing. An eccentric, charming man, Henry woos Katarina with poetry and Thomas with alchemy. Becoming a surrogate father, he introduces him to the world of the mind, and to the world of love through his untiring example of devotion for the reckless Katarina. Even when Katarina finds her own apartment, and takes other, usually abusive lovers, Henry remains loyal to her, and to Thomas, who remains in his library-like home. Filled with anecdotal footnotes, simple lists, and snippets of poetry, these inserted structures serve to bring form to the most vaporous subject: the nature of love. A genuinely elegant work.
Pub Date: Sept. 1, 1998
ISBN: 0-8050-5981-4
Page Count: 272
Publisher: Henry Holt
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 1, 1998
With lantern-lit tales of old China, a rich humanity, and an acute ear for bicultural tuning, a splendid first novel—one...
An inordinately moving, electric exploration of two warring cultures fused in love, focused on the lives of four Chinese women—who emigrated, in their youth, at various times, to San Francisco—and their very American 30-ish daughters.
Tan probes the tension of love and often angry bewilderment as the older women watch their daughters "as from another shore," and the daughters struggle to free themselves from maddening threads of arcane obligation. More than the gap between generations, more than the dwindling of old ways, the Chinese mothers most fear that their own hopes and truths—the secret gardens of the spirit that they have cultivated in the very worst of times—will not take root. A Chinese mother's responsibility here is to "give [my daughter] my spirit." The Joy Luck Club, begun in 1939 San Francisco, was a re-creation of the Club founded by Suyuan Woo in a beleaguered Chinese city. There, in the stench of starvation and death, four women told their "good stories," tried their luck with mah-jongg, laughed, and "feasted" on scraps. Should we, thought Suyuan, "wait for death or choose our own happiness?" Now, the Chinese women in America tell their stories (but not to their daughters or to one another): in China, an unwilling bride uses her wits, learns that she is "strong. . .like the wind"; another witnesses the suicide of her mother; and there are tales of terror, humiliation and despair. One recognizes fate but survives. But what of the American daughters—in turn grieved, furious, exasperated, amused ("You can't ever tell a Chinese mother to shut up")? The daughters, in their confessional chapters, have attempted childhood rebellions—like the young chess champion; ever on maternal display, who learned that wiles of the chessboard did not apply when opposing Mother, who had warned her: "Strongest wind cannot be seen." Other daughters—in adulthood, in crises, and drifting or upscale life-styles—tilt with mothers, one of whom wonders: "How can she be her own person? When did I give her up?"
With lantern-lit tales of old China, a rich humanity, and an acute ear for bicultural tuning, a splendid first novel—one that matches the vigor and sensitivity of Maxine Hong Kingston (The Warrior Woman, 1976; China Men, 1980) in her tributes to the abundant heritage of Chinese-Americans.Pub Date: March 22, 1989
ISBN: 0143038095
Page Count: -
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1989
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
A fine demonstration of the power and versatility of Glück’s verse, this volume will delight fans and intrigue newcomers.
Glück’s international reputation as an accomplished and critically acclaimed contemporary poet makes the arrival of her new volume an eagerly anticipated event. This slender collection meets these expectations with 44 poems that pull the reader into a realm of meditation and memory. She sets most of them in the heat of summer—a time of year when nature seems almost oppressively heavy with life—in order to meditate on the myriad realities posed by life and death. Glück mines common childhood images (a grandmother transforming summer fruit into a cool beverage, two sisters applying fingernail polish in a backyard) to resurrect the intense feelings that accompany awakening to the sensual promises of life, and she desperately explores these resonant images, searching for a path that might reconcile her to the inevitability of death. These musings produce the kinds of spiritual insights that draw so many readers to her work: she suggests that we perceive our experiences most intensely when tempered by memory, and that such experiences somehow provide meaning for our lives. Yet for all her metaphysical sensitivity and poetic craftsmanship, Glück reaffirms our ultimate fate: we all eventually die. Rather than resort to pithy mysticism or self-obsessive angst, she boldly insists that death creeps in the shadows of even our brightest summers. The genius of her poems lies in their ability to sear the summertime onto our souls in such a way that its “light will give us no peace.”
A fine demonstration of the power and versatility of Glück’s verse, this volume will delight fans and intrigue newcomers.Pub Date: April 9, 2001
ISBN: 0-06-018526-0
Page Count: 80
Publisher: Ecco/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2001
BOOK REVIEW
BOOK REVIEW
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