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WE WOULD PRETEND

Rollicking, imagination-inspired outdoor fun.

Join these two imaginative children in this outdoor adventure with a Waldorf feel.

When a father suggests that his child and a friend play outside, the kids bolt out the door. They explore a treehouse, garden patches, a rabbit hutch, a henhouse, and more. Imagination ignites and chaos ensues as the children enter the “lair of the giant Gourdus, the dreaded King of Pumpkins.” In the children’s wild imaginings, red eyes in darkened cages turn harmless penned rabbits into zombies, and a hose—imagined into a “fire-breathing snake”—helps take down “a Martian with a thousand slimy tentacles.” A wheelbarrow ride that ends in a spectacular crash deprives the children of their magical powers and lands them in trouble, with, perhaps, the sad prospect of losing a lemonade treat. With spare text translated from French, the story is carried by energetic, digitally created illustrations in crayon colors with minimal shading and a solid beige background. Bursts of yellows, oranges, and reds create eye-catching illustrations perfect for storytime. DuBois uses crosshatching for the characters’ skin; the father and one of the children have reddish complexions, while the other child has light tan skin. (This book was reviewed digitally.)

Rollicking, imagination-inspired outdoor fun. (Picture book. 4-8)

Pub Date: Oct. 11, 2022

ISBN: 978-1-990252-16-7

Page Count: 44

Publisher: Milky Way Picture Books

Review Posted Online: June 7, 2022

Kirkus Reviews Issue: July 1, 2022

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THE HUMBLE PIE

From the Food Group series

A flavorful call to action sure to spur young introverts.

In this latest slice in the Food Group series, Humble Pie learns to stand up to a busy friend who’s taking advantage of his pal’s hard work on the sidelines.

Jake the Cake and Humble Pie are good friends. Where Pie is content to toil in the background, Jake happily shines in the spotlight. Alert readers will notice that Pie’s always right there, too, getting A-pluses and skiing expertly just behind—while also doing the support work that keeps every school and social project humming. “Fact: Nobody notices pie when there’s cake nearby!” When the two friends pair up for a science project, things begin well. But when the overcommitted Jake makes excuse after excuse, showing up late or not at all, a panicked Pie realizes that they won’t finish in time. When Jake finally shows up on the night before the project’s due, Pie courageously confronts him. “And for once, I wasn’t going to sugarcoat it.” The friends talk it out and collaborate through the night for the project’s successful presentation in class the next day. John and Oswald’s winning recipe—plentiful puns and delightful visual jokes—has yielded another treat here. The narration does skew didactic as it wraps up: “There’s nothing wrong with having a tough conversation, asking for help, or making sure you’re being treated fairly.” But it’s all good fun, in service of some gentle lessons about social-emotional development.

A flavorful call to action sure to spur young introverts. (Picture book. 4-8)

Pub Date: Nov. 4, 2025

ISBN: 9780063469730

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 16, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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PIRATES DON'T TAKE BATHS

Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)

Pub Date: March 1, 2011

ISBN: 978-0-399-25425-3

Page Count: 32

Publisher: Philomel

Review Posted Online: Jan. 25, 2011

Kirkus Reviews Issue: Feb. 1, 2011

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