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BEAST MASTER’S MARK

Neat, swift, and strongly detailed. Old fans will dance and howl for more.

Volume three of the Beast Master series begun with 1959’s The Beast Master and 1962’s Lord of Thunder. A fourth installment is promised. And that’s good, since this is one of the better SF series going, with Norton using stripped prose to put her stereotypes through their foredestined rounds. A mind-boggling element in her fictional background are the many casually visited planets that support organic life much like that of Earth—which, by the way, is no more, having been wiped out by the Xiks (even though the Xiks were defeated) and creating the need for new planets in the federation to be colonized and regenerated. Beast Master Hosteen Storm (homeworld: Earth) now lives on Arzor and tends his beast mutations when the Beast Master Ark arrives, its crew hoping to get some gene samples from Storm’s herds and perhaps colonize Arzor with meerkats. Aboard the Ark is Tani, a 19-year-old geneticist and rather spoiled Cheyenne/Irish orphan who dislikes Beast Masters. Storm finds that some dreadful new invader is killing frawns by day and native children at night by paralyzing them, eating them alive, and sucking their bones clean all within five minutes. Sounds a bit like army ants, someone suggests. But this killer leaves no trace on the sand beyond a stink that Storm’s big cat can follow while Storm’s eagle circles above (he controls both beasts by telepathy). When Tani has nightmares about the invisible predator, Storm determines that she’s an empathic like himself and can help track the Death-which-comes-in-the-Night.

Neat, swift, and strongly detailed. Old fans will dance and howl for more.

Pub Date: July 1, 2002

ISBN: 0-765-30041-9

Page Count: 288

Publisher: Tor

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2002

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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RED RISING

From the Red Rising Trilogy series , Vol. 1

A fine novel for those who like to immerse themselves in alternative worlds.

Set in the future and reminiscent of The Hunger Games and Game of Thrones, this novel dramatizes a story of vengeance, warfare and the quest for power.

In the beginning, Darrow, the narrator, works in the mines on Mars, a life of drudgery and subservience. He’s a member of the Reds, an “inferior” class, though he’s happily married to Eo, an incipient rebel who wants to overthrow the existing social order, especially the Golds, who treat the lower-ranking orders cruelly. When Eo leads him to a mildly rebellious act, she’s caught and executed, and Darrow decides to exact vengeance on the perpetrators of this outrage. He’s recruited by a rebel cell and “becomes” a Gold by having painful surgery—he has golden wings grafted on his back—and taking an exam to launch himself into the academy that educates the ruling elite. Although he successfully infiltrates the Golds, he finds the social order is a cruel and confusing mash-up of deception and intrigue. Eventually, he leads one of the “houses” in war games that are all too real and becomes a guerrilla warrior leading a ragtag band of rebelliously minded men and women. Although it takes a while, the reader eventually gets used to the specialized vocabulary of this world, where warriors shoot “pulseFists” and are protected by “recoilArmor.” As with many similar worlds, the warrior culture depicted here has a primitive, even classical, feel to it, especially since the warriors sport names such as Augustus, Cassius, Apollo and Mercury.

A fine novel for those who like to immerse themselves in alternative worlds.

Pub Date: Jan. 28, 2014

ISBN: 978-0-345-53978-6

Page Count: 400

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 2, 2013

Kirkus Reviews Issue: Nov. 15, 2013

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