A promising first book.
A debut collection of interrelated essays finds a young writer trying to navigate his way through identity and challenges of race, privilege, sexuality, and culture.
Reflective and creative, Perry has been on a pilgrimage of self-discovery that has led him from prep school and Princeton out East to the freer-spirited bohemia of San Francisco, describing himself in 2003 as “25, black, and frequently straight.” As the collection nears its end, he is “31, almost 32, and my future seemed empty.” After moving to Iowa City for a graduate program in writing, he struggled with his identity and what he wanted amid “the engulfing whiteness of Iowa, a shroud that would surely overwhelm me.” His educational pedigree conferred on him a sense of privilege, of “passage to live among various stratifications of the white world,” which seemed to some to render his racial authenticity suspect. “You’re not a real nigger,” insisted one of his white classmates, though Perry recognizes that race is the categorical qualifier through which others perceive him and through which he perceives himself. He also recognizes that words can hurt and that he has used them to hurt. Chronologically arranged to mark the author’s geographical, psychological, and cultural progression, the essays show that he writes engagingly, feels strongly, thinks obsessively about who he is and what he wants, and doesn’t accomplish anything of lasting significance. He writes about a lot that goes nowhere: sex, relationships, bands, writing, and his graduate degree. Yet throughout his journey of self-discovery, he has been gathering material, experiences that he can mine in writing. The final section features three brief letters addressed to “Emma,” a woman not previously mentioned in the collection. The first suggests that she “might be some sort of light I could follow on my way out of the cave.” At this point, it seems Perry has begun to find his way.
A promising first book.Pub Date: Nov. 12, 2019
ISBN: 978-1-937512-83-5
Page Count: 172
Publisher: Two Dollar Radio
Review Posted Online: Aug. 27, 2019
Kirkus Reviews Issue: Sept. 15, 2019
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and...
A dense, absorbing investigation into the medical community's exploitation of a dying woman and her family's struggle to salvage truth and dignity decades later.
In a well-paced, vibrant narrative, Popular Science contributor and Culture Dish blogger Skloot (Creative Writing/Univ. of Memphis) demonstrates that for every human cell put under a microscope, a complex life story is inexorably attached, to which doctors, researchers and laboratories have often been woefully insensitive and unaccountable. In 1951, Henrietta Lacks, an African-American mother of five, was diagnosed with what proved to be a fatal form of cervical cancer. At Johns Hopkins, the doctors harvested cells from her cervix without her permission and distributed them to labs around the globe, where they were multiplied and used for a diverse array of treatments. Known as HeLa cells, they became one of the world's most ubiquitous sources for medical research of everything from hormones, steroids and vitamins to gene mapping, in vitro fertilization, even the polio vaccine—all without the knowledge, must less consent, of the Lacks family. Skloot spent a decade interviewing every relative of Lacks she could find, excavating difficult memories and long-simmering outrage that had lay dormant since their loved one's sorrowful demise. Equal parts intimate biography and brutal clinical reportage, Skloot's graceful narrative adeptly navigates the wrenching Lack family recollections and the sobering, overarching realities of poverty and pre–civil-rights racism. The author's style is matched by a methodical scientific rigor and manifest expertise in the field.
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and Petri dish politics.Pub Date: Feb. 9, 2010
ISBN: 978-1-4000-5217-2
Page Count: 320
Publisher: Crown
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Jan. 1, 2010
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