President Richard Nixon’s downfall as a result of the Watergate scandal is vividly recounted in a screenplay-style narrative.
In Balis and Levy’s narrative, contextual paragraphs identified as “Fly on the Wall” are separated from direct quotes taken from Nixon, his administration, the Watergate burglars, reporters Carl Bernstein and Bob Woodward, and members of Congress. The purpose of choosing this narrative format is never explained, nor is it readily apparent. Many of Nixon’s lines and those of his staff come from transcribed Oval Office recordings. It’s inventive all right, but there are some odd inclusions. Is it necessary to know that Howard Hunt urinated in a whiskey bottle while hiding in a closet? What use is it to know what John Dean’s wife wore on each day during his weeklong testimony before Congress? Why do the authors need to identify who ate what when Nixon, John Mitchell, and Bob Haldeman met for lunch? Perhaps worse are the exclusions. In recounting Nixon’s political career, the authors note he made a name for himself “fighting communists with Senator Joe McCarthy,” but there is no explanation of how fraudulent and destructive McCarthy’s anti-communist crusade was, nor that it was specifically Nixon’s role in the Alger Hiss trial that got him noticed. In lieu of photographs and archival material are Foley’s interpretive black-and-white illustrations, which bring a graphic-novel–esque flair to the design.
An intriguing but flawed attempt at narrative innovation. (timeline, source notes, bibliography) (Nonfiction. 10-14)Pub Date: Aug. 6, 2019
ISBN: 978-1-250-17679-0
Page Count: 240
Publisher: Roaring Brook Press
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
Categories: CHILDREN'S HISTORY | CHILDREN'S SOCIAL SCIENCES
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A popular YouTube series on race, “Uncomfortable Conversations With a Black Man,” turns how-to manual and history lesson for young readers.
Acho is a former NFL player and second-generation Nigerian American who cites his upbringing in predominantly White spaces as well as his tenure on largely Black football teams as qualifications for facilitating the titular conversations about anti-Black racism. The broad range of subjects covered here includes implicit bias, cultural appropriation, and systemic racism. Each chapter features brief overviews of American history, personal anecdotes of Acho’s struggles with his own anti-Black biases, and sections titled “Let’s Get Uncomfortable.” The book’s centering of Whiteness and White readers seems to show up, to the detriment of its subject matter, both in Acho’s accounts of his upbringing and his thought processes regarding race. The overall tone unfortunately conveys a sense of expecting little from a younger generation who may have a greater awareness than he did at the same age and who, therefore, may already be uncomfortable with racial injustice itself. The attempt at an avuncular tone disappointingly reads as condescending, revealing that, despite his online success with adults, the author is ill-equipped to be writing for middle-grade readers. Chapters dedicated to explaining to White readers why they shouldn’t use the N-word and how valuable White allyship is may make readers of color (and many White readers) bristle with indignation and discomfort despite Acho’s positive intentions.
Ultimately adds little to conversations about race. (glossary, FAQ, recommended reading, references) (Nonfiction. 10-14)Pub Date: May 4, 2021
ISBN: 978-1-250-80106-7
Page Count: 320
Publisher: Roaring Brook Press
Review Posted Online: May 10, 2021
Categories: CHILDREN'S SOCIAL THEMES | CHILDREN'S SOCIAL SCIENCES
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The author of the award-winning Mummies & Their Mysteries (1993) returns to the intriguing subject of mummies. Here she explains how they are formed, how scientists use a variety of sophisticated techniques to learn about peoples and cultures of long ago, and some of the controversies surrounding the study of human remains. As with the previous title, the photographs presented here are striking, from the Inca child who appears on the front cover, to the mummy of Egyptian King Seti I, which appears on the back. Other photographs show some of the first tattoos, details of the Iceman, an Italian child who died of smallpox 400 years ago, the remains of light-haired Caucasian mummies from Xinjiang, China, and the well-preserved bodies of Philip Calvert, governor of Maryland from 1660 to 1661. The science is impressive, as carbon-14 dating, CT scans, DNA profiling, and X-rays are used to solve ancient mysteries. What were the people like? What did they eat? When did they die? What caused their death? What were the diseases they suffered? The author also discusses the controversies as different cultures clash over studying human remains. She mentions the Native American Graves Protection and Reparation Act which gives Native Americans control over native remains buried on government land or held in collections owned or funded by the government, and discusses former Egyptian President Anwar Sadat’s, efforts to house Egyptian mummies in a more dignified way. Though Wilcox discusses respect for the dead, she nonetheless pictures the controversial “Human Body Art” of German artist Gunther von Hagens, and “Sylvester,” a mummy used to greet customers in a shop in Seattle. Also pictured are the remains of an outlaw put on display for 65 years as a moneymaking exhibit for a funeral parlor. The author concludes with a glossary, extensive bibliography including Web sites, and a detailed index. Intriguing science, dramatically presented. (Nonfiction. 9-13)
Pub Date: Aug. 15, 2000
ISBN: 1-57505-428-0
Page Count: 64
Publisher: Carolrhoda
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2000
Categories: CHILDREN'S SOCIAL SCIENCES
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