by Andrea Cheng & illustrated by Michelle Chang ‧ RELEASE DATE: April 1, 2003
Nancy and Greg’s Ni Ni (Grandmother) gets a letter from her brother, who still lives in China. The city of Suzhou is tearing down their father’s house and garden to make way for apartment buildings. Ni Ni is understandably distraught, and Nancy wants to cheer her up. After a trip to the summer fair to search for ideas, Nancy decides to build a miniature goldfish pond in the backyard, complete with the yellow flowers Ni Ni remembers from her father’s garden. With help from a neighbor and brother Greg, Nancy completes her surprise. They take pictures to send to China, and Ni Ni finds a special way to say thank you. Cheng’s (Anna the Bookbinder, p. 302, etc.) story of intergenerational connection is a sweet one. Ni Ni speaks just haltingly enough to let readers know English is not her first language, and Nancy only completes her small fishpond with an adult’s help. First time illustrator Chang’s art is less spot-on. Ni Ni often appears out of proportion. The goldfish on the cover do not match those in the story, and the flowers never resemble the chrysanthemums of the title. The cover has an almost golden glow to it that is absent in the grayish interior illustrations. The story might have been better served with pictures rendered in a lighter medium than oils, but this is still a good choice for older storytime audiences or collections in need of culturally different stories. (Picture book. 4-9)
Pub Date: April 1, 2003
ISBN: 1-58430-057-4
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2003
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by Beth Ferry ; illustrated by Eric Fan & Terry Fan ‧ RELEASE DATE: May 27, 2025
Charming.
An assortment of unusual characters form friendships and help each other become their best selves.
Mr. and Mrs. Tupper, who live at Number 3 Ramshorn Drive, are antiquarians. Their daughter, Jillian, loves and cares for a plant named Ivy, who has “three speckles on each leaf and three letters in her name.” Toasty, the grumpy goldfish, lives in an octagonal tank and wishes he were Jillian’s favorite; when Arthur the spider arrives inside an antique desk, he brings wisdom and insight. Ollie the violet plant, Louise the bee, and Sunny the canary each arrive with their own quirks and problems to solve. Each character has a distinct personality and perspective; sometimes they clash, but more often they learn to empathize, see each other’s points of view, and work to help one another. They also help the Tupper family with bills and a burglar. The Fan brothers’ soft-edged, old-fashioned, black-and-white illustrations depict Toasty and Arthur with tiny hats; Ivy and Ollie have facial expressions on their plant pots. The Tuppers have paper-white skin and dark hair. The story comes together like a recipe: Simple ingredients combine, transform, and rise into something wonderful. In its matter-of-fact wisdom, rich vocabulary (often defined within the text), hint of magic, and empathetic nonhuman characters who solve problems in creative ways, this delightful work is reminiscent of Ferris by Kate DiCamillo, Our Friend Hedgehog by Lauren Castillo, and Ivy Lost and Found by Cynthia Lord and Stephanie Graegin.
Charming. (Fiction. 6-9)Pub Date: May 27, 2025
ISBN: 9781665942485
Page Count: 272
Publisher: Simon & Schuster
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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SEEN & HEARD
SEEN & HEARD
by Andrew Clements & illustrated by R.W. Alley ‧ RELEASE DATE: May 23, 2005
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
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