by Andrea Davis Pinkney ; illustrated by Keith Henry Brown ‧ RELEASE DATE: June 7, 2022
This eloquent tribute is a must-read.
A picture-book biography in verse highlighting the friendship between John Lewis and the young African American boy whom he inspired.
In her signature expressive and soulful style, Pinkney introduces readers to young Tybre Faw, a boy from Tennessee who learns about Sen. Lewis from reading books. Inspired by Lewis' lifelong fight for justice and equal rights, Tybre convinces his grandparents to make a 4-hour drive from their home in Tennessee to Selma, Alabama, where every year Lewis conducts an annual pilgrimage across the Edmund Pettus Bridge in honor of his historic showdown, which helped usher in the Voting Rights Act. There, the two meet and a friendship is sparked. Woven into the narrative is the story of how Lewis, inspired by Dr. Martin Luther King Jr., went on to become a civil rights hero. With deep emotion, Pinkney captures the generational struggle for freedom and takes readers from Dr. King’s radio speeches during the Jim Crow era to the Black Lives Matter movement of today. Brown's watercolor-and–quill pen illustrations are striking and larger than life, adding great depth and meaning to the verse. Backmatter includes a statement further describing the relationship between Lewis and Tybre, a timeline of Lewis' life, captioned photographs, and the poem “Invictus” by William Ernest Henley, which Tybre delivered at Lewis’ funeral service. (This book was reviewed digitally.)
This eloquent tribute is a must-read. (Picture-book biography. 6-10)Pub Date: June 7, 2022
ISBN: 978-1-338-75908-2
Page Count: 40
Publisher: Scholastic
Review Posted Online: April 12, 2022
Kirkus Reviews Issue: May 1, 2022
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by Brad Meltzer ; illustrated by Christopher Eliopoulos ‧ RELEASE DATE: Jan. 9, 2024
Quick and slick, but ably makes its case.
The distinguished jurist stands tall as a role model.
Not literally tall, of course—not only was she actually tiny but, as with all the other bobbleheaded caricatures in the “Ordinary People Change the World” series, Ginsburg, sporting huge eyeglasses on an outsize head over black judicial robes even in childhood, remains a doll-like figure in all of Eliopoulos’ cartoon scenes. It’s in the frank acknowledgment of the sexism and antisemitism she resolutely overcame as she went from reading about “real female heroes” to becoming one—and also the clear statement of how she so brilliantly applied the principle of “tikkun olam” (“repairing the world”) in her career to the notion that women and men should have the same legal rights—that her stature comes clear. For all the brevity of his profile, Meltzer spares some attention for her private life, too (“This is Marty. He loved me, and he loved my brains. So I married him!”). Other judicial activists of the past and present, all identified and including the current crop of female Supreme Court justices, line up with a diversely hued and abled group of younger followers to pay tribute in final scenes. “Fight for the things you care about,” as a typically savvy final quote has it, “but do it in a way that will lead others to join you.”
Quick and slick, but ably makes its case. (timeline, photos, source list, further reading) (Picture-book biography. 7-9)Pub Date: Jan. 9, 2024
ISBN: 9780593533338
Page Count: 40
Publisher: Rocky Pond Books/Penguin
Review Posted Online: Oct. 7, 2023
Kirkus Reviews Issue: Nov. 1, 2023
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by Melanie LaBarge ; illustrated by Caroline Corrigan ‧ RELEASE DATE: Feb. 11, 2020
A solid introduction to fascinating artists, some familiar, others less so.
Contemporary and historical female artists are showcased for younger readers.
The artists’ names aren’t presented in A-to-Z order. The alphabetical arrangement actually identifies signature motifs (“D is for Dots” for Yayoi Kusama); preferred media (“I is for Ink” for Elizabeth Catlett); or cultural, natural, or personal motives underlying artworks (“N is for Nature” for Maya Lin). Various media are covered, such as painting, box assemblage, collage, photography, pottery, and sculpture. One artist named isn’t an individual but rather the Gee’s Bend Collective, “generations of African American women in Gee’s Bend, Alabama,” renowned for quilting artistry. Each artist and her or their work is introduced on a double-page spread that features succinct descriptions conveying much admiring, easily comprehensible information. Colorful illustrations include graphically simplified representations of the women at work or alongside examples of their art; the spreads provide ample space for readers to understand what the artists produced. Several women were alive when this volume was written; some died in the recent past or last century; two worked several hundred years ago, when female artists were rare. Commendably, the profiled artists are very diverse: African American, Latina, Native American, Asian, white, and multiethnic women are represented; this diversity is reflected in their work, as explained via texts and illustrations.
A solid introduction to fascinating artists, some familiar, others less so. (minibiographies, discussion questions, art suggestions) (Informational picture book. 6-9)Pub Date: Feb. 11, 2020
ISBN: 978-0-593-10872-7
Page Count: 64
Publisher: Dial Books
Review Posted Online: Dec. 7, 2019
Kirkus Reviews Issue: Jan. 1, 2020
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