A fantastical and historical ghost story that benefits from technology and the presence of young love. (Paranormal romance....
An interactive ghost tale weaves together historical fiction and a supernatural love story with satisfying results.
Daisy’s mysterious ability to channel electricity has always been more curse than blessing, especially since it means no cellphone or computer use. However, when she and her friends Danielle and Vivi are unexpectedly faced with an evil spirit from Daisy’s distant past, the utility of Daisy’s gift slowly becomes clear. Woven into the mix is Kevin, a brooding love interest with a guitar who keeps Daisy grounded throughout their adventure. Interactive elements ranging from embedded YouTube videos to subtly animated black-and-white illustrations add to the overall experience and spooky atmosphere. The text concludes with a final section—“More Gift”— in which the three supporting characters present their own perspectives on the story. For example, Kevin’s section includes links to audio files of songs and lyrics, which will be familiar to readers as they are featured at the beginnings of selected chapters. Vivi’s story is told in a brief graphic-novel format in realistic watercolor illustrations, and Danielle presents her point of view as pages from her diary. While the alternative formatting and use of audio works well, the entire section feels tacked on. Nevertheless, the enhancements are sufficient to make going digital with this text (also published as an ordinary paperback) worthwhile.
A fantastical and historical ghost story that benefits from technology and the presence of young love. (Paranormal romance. 15-17)Pub Date: March 27, 2012
ISBN: N/A
Page Count: -
Publisher: Open Road Integrated Media
Review Posted Online: April 17, 2012
Kirkus Reviews Issue: May 1, 2012
Hall (The Oxford Book of Children’s Verse in America, 1985, etc.), offers up a chestnut-flavored alternative for younger readers, matching roughly contemporary illustrations to one or two selections from each of 57 American poets. To the usual suspects—Eugene Field’s “Wynken, Blynken and Nod,” Emily Dickinson’s “I’m nobody, who are you?” and even Carl Sandburg’s “Fog”—he adds more recent works from the likes of Jack Prelutsky, Gary Soto, Sandra Cisneros, and Janet S. Wong; he also includes three poems attributed somewhat baldly to an “Anonymous Native American.” The art comprises a gallery of American illustration, from crude 18th-century woodcuts, through Jessie Willcox Smith, to Marcia Brown and the Dillons. Writing that “poetry is most poetry when it makes noise,” Hall recommends these verses for reading aloud and memorization, exhorting parents and children to appreciate how they “preserve a moment of the American past.” A safe collection, seldom veering from the canon. (index) (Poetry. 9-11)
Pub Date: Nov. 11, 1999
ISBN: 0-19-512373-5
Page Count: 93
Publisher: Oxford Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1999
Bishop’s spectacular photographs of the tiny red-eyed tree frog defeat an incidental text from Cowley (Singing Down the Rain, 1997, etc.). The frog, only two inches long, is enormous in this title; it appears along with other nocturnal residents of the rain forests of Central America, including the iguana, ant, katydid, caterpillar, and moth. In a final section, Cowley explains how small the frog is and aspects of its life cycle. The main text, however, is an afterthought to dramatic events in the photos, e.g., “But the red-eyed tree frog has been asleep all day. It wakes up hungry. What will it eat? Here is an iguana. Frogs do not eat iguanas.” Accompanying an astonishing photograph of the tree frog leaping away from a boa snake are three lines (“The snake flicks its tongue. It tastes frog in the air. Look out, frog!”) that neither advance nor complement the action. The layout employs pale and deep green pages and typeface, and large jewel-like photographs in which green and red dominate. The combination of such visually sophisticated pages and simplistic captions make this a top-heavy, unsatisfying title. (Picture book. 7-9)
Pub Date: March 1, 1999
ISBN: 0-590-87175-7
Page Count: 32
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1999
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