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CHOOCH HELPED

Native life and language are at the center of this beautiful sibling story.

A young Indigenous girl attempts to get along with her infuriating little brother.

Sissy has a mischievous 2-year-old brother called Chooch—an affectionate nickname based on the Cherokee word for boy or son. No matter what the usdi (baby) does, he “just gets away with everything”—from painting streaks through Elisi’s mural to making a mess of Edutsi’s grape dumpling flour. Each transgression is followed by the same refrain: “Chooch helped.” Sissy has less tolerance for her brother’s “assistance,” and the last straw comes when Chooch damages her clay pot. After the fed-up narrator screams at the little boy, her parents yell at her, bringing the beleaguered sister to tears. But Chooch shows up to do what he always does—with his arms around a sobbing Sissy, “Chooch [helps].” Sissy comes to understand that young children learn by watching others and that her patience helps Chooch grow. Author Rogers and illustrator Kunz, both members of the Cherokee Nation, portray Sissy’s older sisterhood with tenderness; illuminating backmatter explains the links between the story and the creators’ own heritage. The touching narrative and its universal lesson are brought to life through Kunz’s powerful images, which make stunning use of collage to illustrate the children’s rich familial and cultural webs. Readers’ hearts will be warmed by Sissy and Chooch’s relationship and by the moving representation of Cherokee traditions.

Native life and language are at the center of this beautiful sibling story. (author’s and illustrator’s notes, instructions for creating a pinch pot, glossary) (Picture book. 4-10)

Pub Date: Oct. 8, 2024

ISBN: 9781646144549

Page Count: 48

Publisher: Levine Querido

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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DOG DAYS

From the Carver Chronicles series , Vol. 1

This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for...

A gentle voice and familiar pitfalls characterize this tale of a boy navigating the risky road to responsibility. 

Gavin is new to his neighborhood and Carver Elementary. He likes his new friend, Richard, and has a typically contentious relationship with his older sister, Danielle. When Gavin’s desire to impress Richard sets off a disastrous chain of events, the boy struggles to evade responsibility for his actions. “After all, it isn’t his fault that Danielle’s snow globe got broken. Sure, he shouldn’t have been in her room—but then, she shouldn’t be keeping candy in her room to tempt him. Anybody would be tempted. Anybody!” opines Gavin once he learns the punishment for his crime. While Gavin has a charming Everyboy quality, and his aversion to Aunt Myrtle’s yapping little dog rings true, little about Gavin distinguishes him from other trouble-prone protagonists. He is, regrettably, forgettable. Coretta Scott King Honor winner English (Francie, 1999) is a teacher whose storytelling usually benefits from her day job. Unfortunately, the pizzazz of classroom chaos is largely absent from this series opener.

This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for subsequent volumes. (Fiction. 6-9)

Pub Date: Dec. 17, 2013

ISBN: 978-0-547-97044-8

Page Count: 128

Publisher: Clarion Books

Review Posted Online: Oct. 1, 2013

Kirkus Reviews Issue: Oct. 15, 2013

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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