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THE REPEAT YEAR

2011 was not a good year for Olive. She suffered heartbreaking losses at her job as an intensive care nurse; lost her...

After living one of the worst years of her life, nurse Olive Watson goes to sleep on New Year’s Eve 2011...and wakes up on New Year’s Day 2011, with the chance to make different choices.

2011 was not a good year for Olive. She suffered heartbreaking losses at her job as an intensive care nurse; lost her boyfriend, Phil, after cheating on him; alienated her best friend in the messy aftermath of the breakup; and handled her widowed mother’s new love affair poorly. So when she goes to bed, alone and lonely, on Dec. 31, 2011, and wakes up, miraculously, in Phil’s bed on Jan. 1, 2011, she realizes immediately it’s a gift from the universe, a chance to right the wrongs of the past. Finding an acquaintance who has experienced the same time oddity at first makes her feel reassured, until she understands that the woman has her own issues and not much good advice. Moving forward, Olive realizes that even if no one else remembers the past year, she does, and making choices as if she hadn’t betrayed Phil, disappointed Kerrigan or made a vast ocean of mistakes doesn’t take away the guilt or self-loathing from those actions.  And sometimes, making different choices allows other people to make different choices too, with surprising and stressful consequences. An intriguing premise and some surprising twists make this an engaging, satisfying read that explores friendship, love and who we really are when it truly matters. A debut novel that offers a fascinating glimpse into one woman’s opportunity to rewrite her past and change her future.

Pub Date: May 7, 2013

ISBN: 978-0-425-26313-6

Page Count: 400

Publisher: Berkley

Review Posted Online: March 30, 2013

Kirkus Reviews Issue: April 15, 2013

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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