Acerbic social and cultural critique.
A critic wields a sharp scalpel.
Pulitzer Prize–winning critic Chu has collected 25 of her essays—including book and television reviews, autobiography, and reflections on the work of the critic—written between 2018 and 2023, all except two published in the literary journal n+1 and in New York magazine. Chu sees criticism “as a genre of assertive prose,” and certainly her stance is nothing less than assertive, uncompromising, and sometimes snarky. Poet and memoirist Maggie Nelson’s essay collection On Freedom, for example, strikes Chu as representing the kind of mediocrity pervasive in academic writing. Nelson’s approach, Chu writes, is “to present six or seven academics on a topic and then say of one, ‘I like this.’” She deems Curtis Sittenfeld’s novel Rodham “nothing but a large commemorative stamp, dependent wholly in use and function on the reader’s willingness to lick it.” Yellowstone is, simply, not a good show; neither is Phantom of the Opera, or anything else conjured by Andrew Lloyd Webber. Her identity as a trans woman informs “On Liking Women,” which she calls her first “proper essay” and “Pink,” about her vaginoplasty. In a postscript to her scathing critique of a memoir by Joey Soloway, creator of the series Transparent (she calls the book “incompetent, defensive, and astonishingly clueless”), Chu concedes, “It is a vicious piece, which I would distinguish from a cruel one. Viciousness is the attack dog who has not eaten in three days; cruelty is the person calmly holding the leash. These days I aim for cruelty.” But she aims not simply to wound: “The only criticism worth doing, for my money, is not the kind that claims to improve society in general; it is, as the late John Berger once wrote, the kind that helps to destroy this particular one.”
Acerbic social and cultural critique.Pub Date: April 8, 2025
ISBN: 9780374600334
Page Count: 288
Publisher: Farrar, Straus and Giroux
Review Posted Online: Jan. 17, 2025
Kirkus Reviews Issue: Feb. 15, 2025
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
A philosophically rich critique of state violence and mass apathy.
An Egyptian Canadian journalist writes searchingly of this time of war.
“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”
A philosophically rich critique of state violence and mass apathy.Pub Date: Feb. 25, 2025
ISBN: 9780593804148
Page Count: 224
Publisher: Knopf
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
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