An eminently child-friendly exploration of an ever-intriguing subject; pair it with David M. Schwartz and Steven Kellogg’s...
Jellybean-fueled sibling rivalry leads readers on a visual exploration of large numbers.
Emma's request for 10 is reasonable, as is Aiden’s for 20, but, auction-style, the numbers soon mount from 100 to 500, at which point Emma calls Aiden’s bluff. “That’s too many. You can’t eat five hundred jelly beans.” Well, he could eat 1,000 in a year, but that’s just two or three per day. How about 5,000 in a year? That would be a stack that’s as high as a 10-story building. As the two ponder this existential conundrum, the numbers keep going up, from 10,000 to 100,000 to 1,000,000. Labat’s black-and-white digital illustrations make the bright colors of the ever-increasing jellybeans stand out and pop off the pages. The speech bubbles, clean lines and efficiently drawn characters speak to his start in comics. The page depicting how Aiden would divvy 100,000 jellybeans among the different flavors works especially well, picturing single-color circles clearly labeled with the differing amounts (there's only one lemon jellybean). This helps readers learn to estimate, though Bruce Goldstone’s Great Estimations and Greater Estimations (2006, 2008) offer more specific examples.
An eminently child-friendly exploration of an ever-intriguing subject; pair it with David M. Schwartz and Steven Kellogg’s How Much Is a Million. (Math picture book. 4-8)Pub Date: May 1, 2012
ISBN: 978-1-4521-0206-1
Page Count: 28
Publisher: Chronicle Books
Review Posted Online: March 13, 2012
Kirkus Reviews Issue: April 1, 2012
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It doesn’t take a fortune teller to predict the laughter that will emanate from this world of tomorrow.
The future is now…and it’s exceedingly silly.
“This book is from the future.” What are things like there? Barnett enlightens readers: “The sun is called the moon and the moon is called the sun.” Readers learn that apples no longer exist (Barnett doesn’t explain why), that lots of people are named “Charlie Cheese Face” (“There’s an interesting reason why, but we don’t have time for that story”), and that instead of “goodbye,” people now say, “You smell like a baby!” The work closes with a ridiculous conversation between two characters who somehow manage to work in most of the new terms. This tale’s raison d’être seems to be coming up with the goofiest alternatives to normal day-to-day terms and interactions. Barnett gets seriously silly as he thinks up gags ideal for reading aloud at storytime. As for Harris’ art, aside from the occasional cool pair of sunglasses or hair dye, the future feels pretty early-21st-century; his colorful ink and gouache illustrations are rife with visual gags. Futuristic terms look as if they were printed on a label maker. Human characters vary in skin tone.
It doesn’t take a fortune teller to predict the laughter that will emanate from this world of tomorrow. (Picture book. 4-8)Pub Date: March 3, 2026
ISBN: 9798217033171
Page Count: 40
Publisher: Knopf
Review Posted Online: Nov. 8, 2025
Kirkus Reviews Issue: Dec. 15, 2025
BOOK REVIEW
BOOK REVIEW
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