A study of grief and empowerment sure to be useful to widows seeking an empathetic guide.

The Virgin Widow

In this slim volume—part memoir, part self-help book—a widow navigates her way through the stages of grief.

Debut author Gould, a psychologist, is accustomed to helping her clients deal with bereavement and loss, but she was blindsided by her own husband’s sudden death in 1999. She turned to journaling to express and relieve her pain and eventually realized that her insights could help serve as a guide for other women coping with loss. The project took 10 years to manifest into eight chapters of memoirs, diary entries, occasional poetry and gently couched lessons—an emotionally charged account of one woman’s journey through personal tragedy. Although readers may sometimes find the author’s account of heartbreak fatiguing, her spiritual and psychological inquiries provide an uplifting balance. She delves into the process of grief, and also into the traps that many women fall into when they marry: dependence on a husband for an identity and happiness, and an ignorance of legal matters. Gould’s perceptive prose reflects her talent for lyricism (“I am furrowed and softened: a place of fertility for seeds to grow, and I am the farmer offering fields for grazing and growth.”). Each chapter ends with a suggestion (“Dear Reader”) that encourages the reader to follow her own path through grief, to create daily outlets for expression and allow a new self to emerge. The author lets readers experience her bright and dark days as she shows how the grieving process can be an emotional roller coaster before one attains a state of grace.

A study of grief and empowerment sure to be useful to widows seeking an empathetic guide.

Pub Date: Aug. 9, 2012

ISBN: 978-0615636269

Page Count: 174

Publisher: Lucid Learning Systems, Inc.

Review Posted Online: June 7, 2013

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...



Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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