This tale of five 14-year-olds in a life-endangering reality show sustains tension through the middle, but ends weakly. In a grim American future—a dystopia without complexity—television reigns supreme. Reality programming teases contestants with money for education beyond eighth grade while providing viewers a distraction from poverty and hopelessness. Its new gimmick is children: The DOE (Department of Entertainment, responsible for all television and schooling) sends five kids to Antarctica to simulate the historical 1911 Scott expedition to the South Pole. As with previous Historical Survivor series, injuries and deaths are welcomed for their high ratings. Nauseated by the spectacle, a sad DOE employee secretly helps the kids, but frigid polar conditions and DOE sabotage may triumph anyway. Quotations from Scott’s real diary flavor the adventure, but White’s ending lacks substance: the trip is aborted and the future (for characters and society) lies stagnantly between hope and despair. Some nice characterization and connection with historical explorers, but closes with an emptiness reminiscent of reality TV itself. (end note, bibliography) (Science fiction. 10-14)
Pub Date: April 1, 2005
ISBN: 0-06-055454-1
Page Count: 336
Publisher: Eos/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2005
BOOK REVIEW
BOOK REVIEW
Namioka (Den of the White Fox, 1997, etc.) offers readers a glimpse of the ritual of foot-binding, and a surprising heroine whose life is determined by her rejection of that ritual. Ailin is spirited—her family thinks uncontrollable—even at age five, in her family’s compound in China in 1911, she doesn’t want to have her feet bound, especially after Second Sister shows Ailin her own bound feet and tells her how much it hurts. Ailin can see already how bound feet will restrict her movements, and prevent her from running and playing. Her father takes the revolutionary step of permitting her to leave her feet alone, even though the family of Ailin’s betrothed then breaks off the engagement. Ailin goes to the missionary school and learns English; when her father dies and her uncle cuts off funds for tuition, she leaves her family to become a nanny for an American missionary couple’s children. She learns all the daily household chores that were done by servants in her own home, and finds herself, painfully, cut off from her own culture and separate from the Americans. At 16, she decides to go with the missionaries when they return to San Francisco, where she meets and marries another Chinese immigrant who starts his own restaurant. The metaphor of things bound and unbound is a ribbon winding through this vivid narrative; the story moves swiftly, while Ailin is a brave and engaging heroine whose difficult choices reflect her time and her gender. (Fiction. 9-14)
Pub Date: May 1, 1999
ISBN: 0-385-32666-1
Page Count: 154
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1999
A bit of envelope-pushing freshens up the formula.
In honor of its 25th anniversary, a Disney Halloween horror/comedy film gets a sequel to go with its original novelization.
Three Salem witches hanged in 1693 for stealing a child’s life force are revived in 1993 when 16-year-old new kid Max completes a spell by lighting a magical candle (which has to be kindled by a virgin to work). Max and dazzling, popular classmate Allison have to keep said witches at bay until dawn to save all of the local children from a similar fate. Fast-forward to 2018: Poppy, daughter of Max and Allison, inadvertently works a spell that sends her parents and an aunt to hell in exchange for the gleeful witches. With help from her best friend, Travis, and classmate Isabella, on whom she has a major crush, Poppy has only hours to keep the weird sisters from working more evil. The witches, each daffier than the last, supply most of the comedy as well as plenty of menace but end up back in the infernal regions. There’s also a talking cat, a talking dog, a gaggle of costumed heroines, and an oblique reference to a certain beloved Halloween movie. Traditional Disney wholesomeness is spiced, not soured, by occasional innuendo and a big twist in the sequel. Poppy and her family are white, while Travis and Isabella are both African-American.
A bit of envelope-pushing freshens up the formula. (Fantasy. 10-15)Pub Date: July 10, 2018
ISBN: 978-1-368-02003-9
Page Count: 528
Publisher: Freeform/Disney
Review Posted Online: June 16, 2018
Kirkus Reviews Issue: July 1, 2018
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