by Andrea Zuill ; illustrated by Andrea Zuill ‧ RELEASE DATE: March 26, 2019
This kind but snarky, winningly honest story about being a square peg is sure to appeal to misfits and queen bees alike.
A bespectacled naked mole rat stays true to her awkward self.
By human standards, Zuill’s anthropomorphized naked mole rats are all pretty weird-looking: unsettlingly humanlike; pinkish-white but with beady little eyes, pronounced snoots, and vacant smiles. It seems that there are hierarchies even among naked mole rats, however, and Sweety is somewhere toward the bottom. With Coke-bottle glasses and headgear over her buck teeth, Sweety “could be intense”; she loves mycology and interpretive dance, and she has a hard time making friends with the more popular naked mole rats. Refreshingly, this story doesn’t follow a “Rudolph the Red-nosed Reindeer” plot, in which deviance is only acceptable if it’s useful to others, nor is anyone particularly unkind to the strange mole-girl. Sweety’s aunt Ruth informs her that “being different was one of the best things about her life, and that if you stayed true to yourself, you’d find your people.” Sweety thinks a little about how to be more popular and considers different attention-getting tricks to find her people, but at the end she decides to “continue to do her favorite things, and be herself.” Hilarious, slightly (and appropriately) off-putting pen-and-ink sketches (with an especially delightful spot of some goth adolescent mole rats) perfectly illustrate Sweety’s uniqueness.
This kind but snarky, winningly honest story about being a square peg is sure to appeal to misfits and queen bees alike. (Picture book. 4-8)Pub Date: March 26, 2019
ISBN: 978-0-525-58000-3
Page Count: 32
Publisher: Schwartz & Wade/Random
Review Posted Online: Oct. 27, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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More by Nelly Buchet
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by Nelly Buchet ; illustrated by Andrea Zuill
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by Gregory R. Lange ; illustrated by Sydney Hanson ‧ RELEASE DATE: May 1, 2019
New parents of daughters will eat these up and perhaps pass on the lessons learned.
All the reasons why a daughter needs a mother.
Each spread features an adorable cartoon animal parent-child pair on the recto opposite a rhyming verse: “I’ll always support you in giving your all / in every endeavor, the big and the small, / and be there to catch you in case you should fall. / I hope you believe this is true.” A virtually identical book, Why a Daughter Needs a Dad, publishes simultaneously. Both address standing up for yourself and your values, laughing to ease troubles, being thankful, valuing friendship, persevering and dreaming big, being truthful, thinking through decisions, and being open to differences, among other topics. Though the sentiments/life lessons here and in the companion title are heartfelt and important, there are much better ways to deliver them. These books are likely to go right over children’s heads and developmental levels (especially with the rather advanced vocabulary); their parents are the more likely audience, and for them, the books provide some coaching in what kids need to hear. The two books are largely interchangeable, especially since there are so few references to mom or dad, but one spread in each book reverts to stereotype: Dad balances the two-wheeler, and mom helps with clothing and hair styles. Since the books are separate, it aids in customization for many families.
New parents of daughters will eat these up and perhaps pass on the lessons learned. (Picture book. 4-8, adult)Pub Date: May 1, 2019
ISBN: 978-1-4926-6781-0
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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More by Kimberly Dean
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by Kimberly Dean ; illustrated by James Dean
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by James Dean & Kimberly Dean ; illustrated by James Dean
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by Joan Holub ; illustrated by James Dean
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