by Andrea Zuill ; illustrated by Andrea Zuill ‧ RELEASE DATE: March 26, 2019
This kind but snarky, winningly honest story about being a square peg is sure to appeal to misfits and queen bees alike.
A bespectacled naked mole rat stays true to her awkward self.
By human standards, Zuill’s anthropomorphized naked mole rats are all pretty weird-looking: unsettlingly humanlike; pinkish-white but with beady little eyes, pronounced snoots, and vacant smiles. It seems that there are hierarchies even among naked mole rats, however, and Sweety is somewhere toward the bottom. With Coke-bottle glasses and headgear over her buck teeth, Sweety “could be intense”; she loves mycology and interpretive dance, and she has a hard time making friends with the more popular naked mole rats. Refreshingly, this story doesn’t follow a “Rudolph the Red-nosed Reindeer” plot, in which deviance is only acceptable if it’s useful to others, nor is anyone particularly unkind to the strange mole-girl. Sweety’s aunt Ruth informs her that “being different was one of the best things about her life, and that if you stayed true to yourself, you’d find your people.” Sweety thinks a little about how to be more popular and considers different attention-getting tricks to find her people, but at the end she decides to “continue to do her favorite things, and be herself.” Hilarious, slightly (and appropriately) off-putting pen-and-ink sketches (with an especially delightful spot of some goth adolescent mole rats) perfectly illustrate Sweety’s uniqueness.
This kind but snarky, winningly honest story about being a square peg is sure to appeal to misfits and queen bees alike. (Picture book. 4-8)Pub Date: March 26, 2019
ISBN: 978-0-525-58000-3
Page Count: 32
Publisher: Schwartz & Wade/Random
Review Posted Online: Oct. 27, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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by Nelly Buchet ; illustrated by Andrea Zuill
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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by Alice Hemming ; illustrated by Nicola Slater ‧ RELEASE DATE: July 28, 2026
More fun antics to satisfy returning fans and snag new ones.
Not even the arrival of autumn can cool down this impetuous squirrel.
Although Squirrel is skeptical about Bird’s vegetable patch (“Nothing is HAPPENING!”), Bird does produce five (count them) lovely pumpkins. Squirrel picks out a favorite: “The enormous orange one.” Bird hints that Squirrel might want to help out; Squirrel sets out to fetch some work gloves and returns to find only four pumpkins. The frequently distracted Squirrel notices more gourds disappearing and leaps to the conclusion that a thief is near. And where’s Bird?! Has Squirrel’s pal also been taken? Diligently detecting, Squirrel finds clues—peck marks, footprints, and more—and produces a sketch of the suspect. As readers will guess, each clue turns out to point to one of Squirrel and Bird’s friends. Turns out Bird was delivering pumpkins to their pals while saving the big one to give to “my very best friend,” Squirrel. But why does Squirrel haul it up a tree? “So the Pumpkin Thief can’t find it, of course!” A page of pumpkin facts provides the learning component common to all titles in this series. Once more, readers will enjoy the pleasure of prediction and repetition, Squirrel’s silly persistence, Bird’s generosity, and the vibrant color illustrations, balancing orange with green.
More fun antics to satisfy returning fans and snag new ones. (Picture book. 4-8)Pub Date: July 28, 2026
ISBN: 9781464268076
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Aug. 11, 2026
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by Alice Hemming ; illustrated by Nicola Slater
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by Alice Hemming ; illustrated by Nancy Leschnikoff
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