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THE SELECTED WRITINGS OF ANDRêS BELLO

Name: THE SELECTED WRITINGS OF ANDRêS BELLO
Author: Andrés Bello
ISBN: 0-19-510545-1

by Andrés Bello ‧ RELEASE DATE: Nov. 1, 1997

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Available in English for the first time, the greatest essays and speeches of the 19th-century Latin American educator, politician, and scholar, a leading figure in building a humanistic post-colonial tradition in Latin America. The pieces included here cover a range of subjects, from public education to historiography to language studies. Bello (17811865), who was born in Venezuela, spent many years abroad. While living in Europe, Bello launched several journals intended for a Latin American audience, focusing on the means of constructing the region's new nations. His goal, presented in the prospectus included here, was to aid Latin America in ``completing its process of civilization,'' a task he pursued for the next 40 years, especially after returning to Latin America. His epic poem ``Allocution to Poetry'' praises the continent's natural beauty and stimulated others to pursue a distinctly Latin American tradition in letters. His essay on Spanish grammar rejects the dependence on Latin in the pedagogy of the day and stresses the application of logic to teaching, understanding, and applying grammatical rules. Writing as the rector of the Colegio de Santiago, and later as the first rector of the University of Chile, Bello stresses the importance of public education in the construction of a working democracy, and argues that morality (``inseparable from religion'') must be a key theme in education. As a member of the Chilean Congress, Bello drafted the nation's civil code, which attempts to clarify issues surrounding property and contracts in the context of a new civil society. Bello, a reveler in archives, passionately argues that history is at its core ``the science of humanity,'' yet another way of supplying nations with vital ideas. As a teacher he provided an apt example of what academic disciplines could contribute to society. And as a writer and thinker he did a good deal to wean Latin America off its stance of intellectual servility to the Old World.

Pub Date: Nov. 1, 1997

ISBN: 0-19-510545-1

Page Count: 400

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1997

Categories:

GENERAL NONFICTION

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.