by Andrew Barr ‧ RELEASE DATE: Sept. 23, 1992
Wine drinkers of America, get ready for a roasting. According to this American edition of British wine-writer Barr's exposÇ-cum-put-down, the great American wine boom of the 70's and early 80's was fueled by white wines that we drank too cold and too sweet, and specifically by pop wines, coolers, and that fad of the bourgeoisie, white zinfandel. The imported wine we honor has been mishandled in transit. At restaurants, we pay absurd prices for ignorantly mistreated bottles. We are foolishly impressed by champagne, which has little taste, especially as made today; and the glasses we drink it from are all wrong. The Univ. of California at Davis has fostered an industrial rather than agricultural approach to wine; the result is a technically perfect product that is wholly without taste. Blind tastings are misleading, partly because wine is meant to be drunk with food, not with other wines; and California wines tend to beat those from Bordeaux and Burgundy in blind tastings partly because they mature sooner. On the other hand, we're unduly impressed by French wines, which aren't necessarily better. Worse, we are currently experiencing a national temperance movement, manifest in ``ridiculous'' health warnings. But if we are foolish, riper cultures have much to answer for. French and Italian regions sell more wine than they produce; claim fake vintage dates; indulge in misleading appellations; overcrop; and employ a jumble of additives—some toxic, some misleading, some illegal, and some of compromising quality. Snob or antisnob, read on and you, too, dear hypocrite lecteur, may squirm yet.
Pub Date: Sept. 23, 1992
ISBN: 0-671-70804-X
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1992
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by Les Stroud ; illustrated by Andrew Barr
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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More by E.T.A. Hoffmann
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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