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IN THEIR LIVES

GREAT WRITERS ON GREAT BEATLES SONGS

A charming, delightful collection for Beatles fans and music fans in general.

What’s your favorite Beatles song?

That’s what literary agent and author Blauner (editor: The Good Book: Writers Reflect on Favorite Bible Passages, 2015, etc.) asked some well-known novelists, journalists, music critics, actors, and musicians. Each contributes a pithy essay explaining why. Organized chronologically, a few standards are here—“I Want to Hold Your Hand,” “Yesterday,” “Let It Be”—as well as a few surprises. David Hajdu, music critic for the Nation, picks a song that usually ends up on the worst-songs list, “You Know My Name (Look Up the Number).” In an interview, however, Paul McCartney said it was “probably my favorite Beatles track.” John Lennon “relished” it, as well, and Hajdu finds it “irresistibly, if vexingly, compelling.” Singer Shawn Colvin writes, “lyrically, I can’t think of another heartbreak song as satisfying to sing as ‘I’ll Be Back.’ ” Rosanne Cash picks “No Reply” from 1965: “a handful of words, expertly woven into a fierce melody.” New Yorker staff writer Adam Gopnik is a fan of the 1967 double A-sided single “Strawberry Fields/Penny Lane,” a “perfect expression of the Beatles’ art at the high point of their artistry.” Chuck Klosterman “loves” the “sixth-best song [“Helter Skelter”] on their fifth-best album” because it “intermittently resembles the blades of a lawn mower falling out of alignment after hitting a brick.” Throughout the collection, we learn a great deal about how these songs came to be written and what the Beatles thought about them. Lennon dismissed “Let It Be” as “a bad Christmas carol.” The first song a female musician played on was “She’s Leaving Home.” Other Beatles’ fans picking their favorites include David Duchovny, Jane Smiley, Amy Bloom, Pico Iyer, Rebecca Mead, Jon Pareles, Alec Wilkinson, Touré, and the sly Rick Moody, who cheats, picking the “Golden Slumbers”/ “Carry That Weight”/ “The End” medley.

A charming, delightful collection for Beatles fans and music fans in general.

Pub Date: May 23, 2017

ISBN: 978-0-7352-1069-1

Page Count: 320

Publisher: St. Martin's

Review Posted Online: March 1, 2017

Kirkus Reviews Issue: March 15, 2017

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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