by Andrew J. Currie ‧ RELEASE DATE: Sept. 28, 2016
A sharply articulated and ideology-free assessment of the world’s economic future.
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A scholarly analysis contends that indefinite economic growth is unlikely, suggesting morally responsible ways to prepare for a future without it.
At the close of the 18th century, Thomas Robert Malthus declared a limit to global economic growth, but the inadequacies of his theory—the agrarian model he adopted did not anticipate the Industrial Revolution—led to its widespread repudiation. Debut author Currie offers an updated version of Malthusianism and argues that technological innovation and economies of scale—the engines of progress for new growth—are insufficient to get the job done. In fact, there exists an “undefined” limit to the continued growth of global real gross domestic product per capita, and that ceiling is preceded by a period of increasingly slowed growth and diminishing returns. The author focuses on the U.S. economy—it has the highest GDP per capita of the higher-populated countries and a surfeit of available data—but also instructively contrasts developing and industrialized nations. Currie also documents the history of limits-to-growth theories and suggests that they have failed to pass analytical muster because they are so often promulgated by ecologists and not trained economists. This is not merely the diagnosis of an ailment, but also a prescription. Because part of the problem is political dysfunction that encourages bad economic policy, the author recommends a federal initiative that empowers majorities to more easily pass constitutional amendments. This study is impressively rigorous and analytically restrained; Currie acknowledges that his aim is not to completely defeat new growth theory but only its most extreme strains. In fact, he offers a refreshingly humble point of self-criticism: “As this work’s thesis is diametrically opposed to the views taken by extreme new growth theorists, its presentation of new growth theory is probably unduly critical.” And while it’s probably unfair to label conventional economics “amoral,” Currie is still to be commended for emphasizing aspects of economic theory often unduly neglected, like ecological responsibility and the social health of communities.
A sharply articulated and ideology-free assessment of the world’s economic future.Pub Date: Sept. 28, 2016
ISBN: 978-1-68409-178-2
Page Count: 239
Publisher: Page Publishing
Review Posted Online: Jan. 17, 2017
Kirkus Reviews Issue: Feb. 15, 2017
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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