At least there’s a lot going on
Gene escapes from certain death at bloodsucker hands—and from drowning and starvation on the river, freezing in the mountains, wickedness in the creepy murder village, a deadly plummet on a death train—until finally he’s right back in vampire central.
After their death-defying escape from the Mission in The Prey (2013), Gene, Sissy and the other humans (or hepers) find their escape vehicle takes them not to the promised land of safety, but to a cavern full of starving hepers beneath the Palace: the Ruler’s larder. Double agents promise to rescue Gene and Sissy, but the cost—the sacrifice of all the other humans in the cavern—is too high. Gene and Sis together make up the Origin; their blood combines to fuel weapons that can de-fang the vamps back into hepers. They’re the only source of the weaponized blood (for no good reason), so when their next frying-pan–to-fire maneuver sends them straight back to the metropolis filled with millions of starving man-eaters, the salvation of humanity is at risk. As if gore-drenched certain death weren’t enough cause for despair, Gene suspects his vanished father didn’t love him enough, and he has to choose between two different girls, one of whom is a vampire, which should make it easy.
At least there’s a lot going on . (Science fiction. 14-16)Pub Date: Nov. 5, 2013
ISBN: 978-1-250-00512-0
Page Count: 320
Publisher: St. Martin's Griffin
Review Posted Online: Sept. 13, 2013
Kirkus Reviews Issue: Oct. 1, 2013
Successfully evokes the sightless, slow-moving, claustrophobic, ever-present darkness of dystopian coal mines—but is that a...
Dystopian future plus steampunk plus romance: All these trendy ingredients are here plopped together in a plodding muddle.
Wren is a shiner, a coal miner whose family has lived in the bowels of the Earth for generations. When a comet threatened the world back in 1878, the royals moved into a city domed in glass, bringing soldiers, servants and a workforce to keep their protected enclave powered. Two centuries have passed, and the world outside is still wreathed in flame—or so Wren has always been taught. But others in her world are convinced there’s a better life. Wren, during a forbidden outing in the domed city above the mines, finds the dying, horribly burned body of her friend Alex, the words “the sky is blue,” on his lips. Now Wren’s on the run from the authorities, hiding away with a dreamy, blue-eyed boy. There’s another boy, of course, but Wren doesn’t want this one, who’s at least partly responsible for the ever-present threat of sexual violence in her world. Wren can save the blue-eyed boy or protect her village; seek the blue sky or find safety in darkness. Maybe she can snuggle in a freezing cave for a long time while she thinks about it.
Successfully evokes the sightless, slow-moving, claustrophobic, ever-present darkness of dystopian coal mines—but is that a victory in a romantic adventure? (Steampunk. 14-16)Pub Date: Nov. 13, 2012
ISBN: 978-0-312-64178-8
Page Count: 320
Publisher: St. Martin's
Review Posted Online: Sept. 14, 2012
Kirkus Reviews Issue: Oct. 1, 2012
BOOK REVIEW
BOOK REVIEW
Out of the vampire-hunting-ground frying pan into the freakish-religious-cult fire.
Gene, Sissy and the boys aren't free of the bloodsuckers yet. Their thrilling escape from the hunting compound at the conclusion of The Hunt (2012) brought them to a serendipitous boat; now they rocket down the river as the monstrously strong vampires pursue them by night. Will their quest lead them to the promised Land of Milk and Honey, Fruit and Sunshine? A hidden village of generous, well-fed, happily singing villagers seems to glow with all the hope of their promised paradise. But all is not well in this compound: Gene worries that Sissy is forced to stay apart from both the boys and the village's eerily cheerful and heavily pregnant girls. As further evidence of wrongness, the village's charismatic leader has "smooth, effeminate" skin, and he and his henchmen are "all blubber and liquid fat"—clear indicators of his untrustworthiness and the general air of sexual violence. The standard creepy-cult-compound chapter of many a dystopian series is enhanced by a fast-paced escape sequence, peppered with the grotesqueries that mark Fukuda's vampire mythos. A few mysteries are solved, only to reveal further puzzles, and it all wraps up with a cinematic cliffhanger. A lengthy interlude in creepsterville, with the promise of a return to gory thrills. (Science fiction. 14-16)
Pub Date: Jan. 29, 2013
ISBN: 978-1-250-00511-3
Page Count: 336
Publisher: St. Martin's Griffin
Review Posted Online: Dec. 1, 2012
Kirkus Reviews Issue: Dec. 15, 2012
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