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BORIS ON THE MOVE

From the Boris series , Vol. 1

The brief text and a chapter format both make this a manageable and entertaining accomplishment for most young readers as...

An early reader shaped just like a chapter book: What’s not to love?

For emergent readers who view themselves as accomplished (or wish to be seen that way), this, one of the publisher’s Branches line, might just be the perfect choice. Boris, a not-particularly-attractive hog, is frustrated. Although he and his parents live in a bus that once took them on fabulous vacations, now the old vehicle is permanently parked, and he longs for adventure. Finally, his empathetic parents fire up the engine to bring him on a journey that, it disappointingly turns out, is only across town to a nature preserve. However, Boris, his anger vividly portrayed in his frazzled body language, contrives to get himself satisfyingly lost. Happily, he’s found, first by a cat in need of a home and then by his parents. Full-color illustrations of his humorously anthropomorphized hog family and just one or two sentences of easy, large-print text per page make this an inviting read for transitioning readers, although they may initially be a bit daunted by the misleading appearance of a full 74 pages of narrative—including a simple science experiment.

The brief text and a chapter format both make this a manageable and entertaining accomplishment for most young readers as well as an amusing listening experience for those not quite able to tackle it alone. (Early reader. 4-7)

Pub Date: May 1, 2013

ISBN: 978-0-545-48443-5

Page Count: 80

Publisher: Branches/Scholastic

Review Posted Online: March 12, 2013

Kirkus Reviews Issue: April 1, 2013

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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