by Andrew Langley & photographed by Leoff Brightling & Geoff Dann ‧ RELEASE DATE: May 1, 1996
This sweeping visual presentation of medieval life in Europe demonstrates the strengths and weaknesses of historical titles in the Eyewitness series. A thousand years of European history are spanned in relatively few pages of briefly captioned, brightly colored photographs and reproductions. Any of these pages will make readers want to know more. (It will also make them wonder, ``How do we know that?'' without giving them a bibliography or other sources of further information.) Readers won't always know exactly what they're looking at: In a typical spread, entitled ``Holy Orders,'' there are photographs of objects from the 7th through the 13th centuries. The countries of origin are not always given; while some pieces are from the period, others look like modern reproductions. Many photos are just too small, e.g., the elaborate tapestry of the Hanseatic League is reduced almost to the size of a postage stamp. There are no maps, and the text is so abbreviated as to sound superficial: ``Peasants spent most of the daylight hours outside, so the drafts and little light from their unglazed windows did not trouble them.'' A book that's mostly for browsers. (index) (Nonfiction. 10-14)
Pub Date: May 1, 1996
ISBN: 0-679-88077-1
Page Count: 64
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1996
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by Andrew Langley & illustrated by Tony Morris
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by Andrew Langley & Alex Pang
by Andrew Clements & illustrated by Brian Selznick ‧ RELEASE DATE: June 1, 2001
A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)
Pub Date: June 1, 2001
ISBN: 0-689-82594-3
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
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More by Andrew Clements
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by Andrew Clements ; illustrated by Brian Selznick
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by Francesco D’Adamo ‧ RELEASE DATE: Nov. 1, 2003
This profoundly moving story is all the more impressive because of its basis in fact. Although the story is fictionalized, its most harrowing aspects are true: “Today, more than two hundred million children between the ages of five and seventeen are ‘economically active’ in the world.” Iqbal Masih, a real boy, was murdered at age 13. His killers have never been found, but it’s believed that a cartel of ruthless people overseeing the carpet industry, the “Carpet Mafia,” killed him. The carpet business in Pakistan is the backdrop for the story of a young Pakistani girl in indentured servitude to a factory owner, who also “owned” the bonds of 14 children, indentured by their own families for sorely needed money. Fatima’s first-person narrative grips from the beginning and inspires with every increment of pride and resistance the defiant Iqbal instills in his fellow workers. Although he was murdered for his efforts, Iqbal’s life was not in vain; the accounts here of children who were liberated through his and activist adults’ efforts will move readers for years to come. (Fiction. 10-14)
Pub Date: Nov. 1, 2003
ISBN: 0-689-85445-5
Page Count: 128
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2003
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