Easy come, easy go.
A nefarious plan to black out the world’s cities may kill us all—unless the dream team of a fearless FBI agent and a brilliant doctor can save the day.
Agent Jessica Blackwood is pulled abruptly out of the latest course in which she instructs other FBI colleagues in offense and defense skills. A talented agent, she’s sure that few of her students, more likely to become desk jockeys than save-the-day agents, will ever need the things she's teaching them. But she definitely falls into the latter group herself, and her expertise is needed, stat. It’s not just that the power is out across New York—the city has all but vanished from the face of the Earth. What now? Working with the newly formed Information Data Retrieval agency, Blackwood has little to go on as she learns that cities around the world are falling into the same fog that seems to have swallowed New York. While some might see this as a weather event, it’s obvious to Agent Blackwood that something more nefarious is at play. Could the manipulative psychopath mastermind the Warlock be behind the foggy scheme? With only her reputation and gut instinct to rely on, Blackwood teams up with eccentric genius Dr. Theo Cray to help her solve the mystery of the disappearing cities. Her first step: Find and rescue Cray from the depths of the jungle. Her second: Avoid getting eaten by homicidal monkeys. The rest should be a cinch.
Easy come, easy go.Pub Date: Sept. 14, 2021
ISBN: 978-1-5420-2039-8
Page Count: 332
Publisher: Thomas & Mercer
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.
When a bunch of corporate assholes mark their planet for destruction, a garage band of colonists must defend their home world with the power of rock.
Slightly sidestepping his frenetic litRPG—literary role-playing game—doorstoppers, here Dinniman takes on capitalism, propaganda, xenophobia, and violence as entertainment. Thankfully for readers, it’s all wrapped in the usual profane, adolescent humor, and SF readers will have a ball. A couple of hundred years after they left Earth, the inhabitants of the interstellar colony of New Sonora weren’t expecting much in the way of new threats, especially after a mysterious illness killed almost everyone between the ages of 30 and 60. That disaster left only the young and the old on the populated planet, where farming is enabled by highly accelerated AI and people are generally cool with each other. But when drummer Oliver Lewis stumbles across a foul-mouthed killer mech piloted by a child, he realizes that something’s definitely fishy. Earth, it seems, has classified the New Sonorans as non-human and scheduled their destruction as a paid, five-day combat game. Apex Industries, led by lead mercenary Eli Opel, has reverse-engineered Ender’s Game and is turning loose its players with real bullets and bombs on the population of New Sonora. The resistance is a weird bunch, led by proto-slacker Oliver; his little sister, Lulu; and his ex-girlfriend, documentary filmmaker and burgeoning revolutionary Rosita Zapatero, as well as the other members of Oliver’s band, the Rhythm Mafia. Thankfully, they also have Roger, the last functioning AI on the planet, though Oliver’s grandfather permanently programmed it to nannybot mode as a dying joke. Call the book overlong—the battle scenes often feel like watching someone play a videogame—but the humor and the execution are cutting without being mean and there’s almost always a point.
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.Pub Date: Feb. 10, 2026
ISBN: 9780593820308
Page Count: 448
Publisher: Ace/Berkley
Review Posted Online: Dec. 12, 2025
Kirkus Reviews Issue: Jan. 15, 2026
Feeney improves on her debut with a taut suspense plot, many gleeful twists and turns, and suspects galore.
A news presenter and a police detective are brought together by murders in the British village where they both grew up.
There is precious little that can be revealed about the plot of Feeney’s third novel without spoilers, as the author has woven surprises and plot twists and suspicious linkages into nearly every one of her brief, first-person chapters, written in three alternating narrative voices. “Hers” is Anna Andrews, a wannabe anchor on a BBC news program whose lucky break comes when the body of one of her school friends is found brutally murdered in their hometown, a woodsy little spot called Blackdown. “His” is DCI Jack Harper, head of the Major Crime Team in Blackdown, where major crimes were rather few until now. The third is unnamed but clearly the killer’s. Happily, none of the three is an unreliable narrator—good thing because plenty of people are sick of that—but none is exactly 100% forthcoming either. Which only makes sense, because you can't have reveals without secrets. In a small town like Blackdown, everybody knows everybody, so it’s not too surprising that Anna and Jack have a tragic past or that each has connections to all the victims and suspects while not being totally free from suspicion themselves. Who is that sneaky third narrator? On the way to figuring that out, expect high school mean girls, teen lesbian action, mutilated corpses, nasty things happening to kittens, and—as seems de rigueur in British thrillers—plenty of drinking and wisecracks, sometimes in tandem. “Sadly, my sister has the same taste in wine as she does in men; too cheap, too young, and headache-inducing.”
Feeney improves on her debut with a taut suspense plot, many gleeful twists and turns, and suspects galore.Pub Date: July 28, 2020
ISBN: 978-1-250-26608-8
Page Count: 320
Publisher: Flatiron Books
Review Posted Online: May 3, 2020
Kirkus Reviews Issue: May 15, 2020
BOOK TO SCREEN
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