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NIGHT OWL

A brisk, competent thriller that neither challenges nor disappoints.

A freelance fixer discovers international intrigue while probing a catastrophic aircraft explosion.

A creepy prologue introduces siblings Luka and Adrik, budding contract killers, making a few extra euros by dispatching a woman. Stateside, the death of his young son, Jason, devastates retired FBI agent Brad Trasker, who waxes philosophical in the grip of his grief as he embarks on a new project. Trasker happened to meet media-shy entrepreneur Kylie Connor when she helped him change a flat tire. Is it karma or design when she summons him to a high-powered meeting in an airplane hangar? Kylie is planning to pilot Sparrow, an experimental hydrogen-powered aircraft she claims "will make aviation globally accessible.” Trasker isn't sure why he's been invited, but he's clearly needed after the demo goes horribly wrong. The aircraft explodes and catches fire; Kylie, engulfed in flames as she stands outside the plane, survives unscathed. Trasker sets about investigating the explosion. The prolific Mayne’s series kickoff at first unfolds like a forensics-heavy police procedural, with short chapters adding new bits of evidence and often introducing new characters. Advanced technology figures prominently; Trasker suspects a projectile fired from a strategically chosen location. The possibility of a Russian connection gives new significance to the prologue and its title to the novel, which morphs into a labyrinthine international thriller. The intensity rises when Trasker meets unctuous Michael Charles Wagner and begins to uncover a complex criminal network, piece by piece. Mayne overreaches, trying to do too many things at once, but the pace never flags.

A brisk, competent thriller that neither challenges nor disappoints.

Pub Date: Dec. 1, 2023

ISBN: 9781662506437

Page Count: 315

Publisher: Thomas & Mercer

Review Posted Online: Sept. 22, 2023

Kirkus Reviews Issue: Oct. 15, 2023

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2015


  • New York Times Bestseller

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PRETTY GIRLS

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...

Awards & Accolades

Our Verdict

  • Our Verdict
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  • Kirkus Reviews'
    Best Books Of 2015


  • New York Times Bestseller

Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.

The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.

Pub Date: Sept. 29, 2015

ISBN: 978-0-06-242905-6

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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