by Andrew Motion ‧ RELEASE DATE: Jan. 1, 1998
Whether illuminating Keats's famous lines or unearthing long-occluded facts about the most ill-starred of English Romantic poets, this superb biographical study displays an unusually sensitive erudition. Keats died of tuberculosis in 1821, at age 25, leaving behind only a few slim volumes' worth of poems. In his lifetime Keats was roundly mocked by critics—so much so that many of his contemporaries imagined him to have died of shame. These facts have given rise to an image of him as a sickly dreamer, ``half in love,'' as one of his celebrated odes puts it, ``with easeful death.'' It is this image of Keats that Motion (Philip Larkin: A Writer's Life, 1993) tries to put to rest. Motion highlights the tough side of Keats's character, introducing us to the child prone to brawling and fits of rage, and to the young man whose strenuous walking tour of Britain may have contributed to the breakdown of his health. This Keats was intensely engaged with society. He nursed first his mother, and then his brother Tom, as they died of consumption, and his mother's death inspired him to enter the medical profession and train as a surgeon. Motion argues convincingly that Keats saw his poetic vocation as consistent with this work, showing how his poems abound in expertly depicted bodies and often seem to have a therapeutic aim. Sometimes this desired effect would be on the body politic: Motion shows too how Keats's poems were informed by his radical politics—shaped in great part by his mentor, the radical journalist Leigh Hunt—and by his reactions to such crises in the reform movement as the Peterloo massacre. Himself a noted poet, Motion writes sprightly, striking prose: For instance, he describes Fanny Brawne, Keats's inamorata, as ``unformed, frisky, and quick-tongued: conventional in her tastes; vehement in her enjoyments.'' Far from burying Keats in a doorstop-biography tomb, Motion has embodied him in a book that is itself vehemently enjoyable. (b&w illustrations)
Pub Date: Jan. 1, 1998
ISBN: 0-374-18100-4
Page Count: 576
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Nov. 15, 1997
Categories: GENERAL NONFICTION | BIOGRAPHY & MEMOIR
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
Categories: BIOGRAPHY & MEMOIR | HOLOCAUST | HISTORY | GENERAL BIOGRAPHY & MEMOIR | GENERAL HISTORY
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BOOK REVIEW
by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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by Elie Wiesel
by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: July 15, 1998
Categories: GENERAL BIOGRAPHY & MEMOIR | BIOGRAPHY & MEMOIR | PHILOSOPHY & RELIGION | PSYCHOLOGY | HISTORICAL & MILITARY
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