Three well-written but fleeting vignettes from some of the darkest edges of the internet.
Three intriguing pieces of journalism about the new threats of a digital age.
O’Hagan (The Illuminations, 2015, etc.) is known as a three-time Man Booker Prize–nominated novelist, but he’s also a razor-sharp London-based reporter, as evidenced by these three stories from “the wild west of the Internet, before policing or a code of decency.” His subjects are diverse and mostly well-known. In the first, “Ghosting,” the author describes how he assumed the unenviable position of ghostwriting the autobiography/manifesto of Julian Assange, the infamously imperiled WikiLeaks founder. “It needs to be more like Ayn Rand,” said Assange during one of their strange meetings. “I don’t know if I can help you with that,” was the author’s straightforward reply. Describing his subject as “a cornered animal,” O’Hagan delivers a troubling portrait of paranoia, trespasses, and consequences that feels unique because of the writer’s unique proximity to his subject. The second work, “The Invention of Ronald Pinn,” is equally dark, chronicling O’Hagan’s successful attempt to create a real identity for a long-dead man. He succeeded in generating an income with Bitcoins and buying heroin and counterfeit money online. “To the moderators of Silk Road or Agora,” writes the author, “the world is an inchoate mass of desires and deceits, and everything that exists can be bought or sold, including selfhood, because to them freedom means stealing power back from the state, or God, or Apple, or Freud. To them, life is a drama in which power rubs out one’s name; they are anonymous, ghosts in the machine, infiltrating and weakening the structures of the state and partying as they do, causing havoc, encrypting who they are.” The third story, “The Satoshi Affair,” finds O’Hagan tapped to reveal the identity of Craig Wright, an awkward Australian computer scientist, as “Satoshi Nakamoto,” the cryptic inventor of Bitcoin, only to find that even his real subjects can be frauds after all.
Three well-written but fleeting vignettes from some of the darkest edges of the internet.Pub Date: Oct. 10, 2017
ISBN: 978-0-374-27791-8
Page Count: 240
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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