It's remarkable how much human territory O’Hagan explores and illuminates with a restrained style that also helps drive the...
The Scottish author’s fifth novel (The Life and Opinions of Maf the Dog, and of his friend Marilyn Monroe, 2010, etc.) is a lean yet rich family story built of small and crucial moments in memories and reality across three generations.
Anne, at 82, has come to a kind of assisted living facility on Scotland’s west coast, and her memory has begun drifting. Often she returns to a time in the 1950s when she was a talented photographer and had a child with another shutterbug. When her grandson, Luke, a British army captain fighting in the Afghanistan campaign of recent years, enters the narrative, it shifts from homey prose snapshots to harsh newsreel realism. The contrast recalls a long article by O'Hagan, also a well-regarded essayist, that looks at deaths in the Iraqi campaign and those affected at home; titled “Brothers,” it’s among the collected nonfiction in The Atlantic Ocean (2013). Anne and Luke have always been close, and he returns after a nightmarish ambush in Afghanistan to help her in the transition to a nursing home. In the process, he discovers long-concealed secrets and sadness tied to another coastal town, Blackpool, which is famous for the annual lighting ceremony that gives the book the literal stratum of its many-layered title. Family pain comes in many forms, including the exclusion Luke’s mother feels from the special tie he has with Anne, the very mixed feelings of Anne’s ever helpful neighbor toward her own brood when they visit the facility—even Luke’s father-brother relations with his fellow soldiers. The story is ripe for sentimentality, but there’s a journalistic cast to the spare prose and tight dialogue that helps O’Hagan almost always avoid it.
It's remarkable how much human territory O’Hagan explores and illuminates with a restrained style that also helps drive the novel along at a good clip.Pub Date: March 3, 2015
ISBN: 978-0-374-17456-9
Page Count: 240
Publisher: Farrar, Straus and Giroux
Review Posted Online: Dec. 16, 2014
Kirkus Reviews Issue: Jan. 1, 2015
PERSPECTIVES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
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