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THE INVENTION OF NEWS

HOW THE WORLD CAME TO KNOW ABOUT ITSELF

Was the newspaper an instrument of liberation or control? Can any news be trusted? Is the free flow of information essential...

From imperial messenger and town crier to Citizen Kane: a vigorous history of the rise of the news business.

Who needs news, anyway? Well, writes Pettegree (Modern History/Univ. of St. Andrews; The Book in the Renaissance, 2010, etc.), first there is the potentate, who needs to know the doings in the far corners of the realm. Then there’s the merchant, who needs to know conditions in distant markets, the better to buy low and sell high. The author first examines such fledgling news enterprises as the couriers of European rulers and entrepreneurs, who, it can be surmised, were not always trustworthy, given the advantage they found in controlling what news was released and when. He then turns to such pioneers as the curious (in both senses) Cologne burger Herman Weinsberg, who kept dossiers on his relatives and neighbors: “It was only after his death that his appalled family members discovered that he had memorialised all their doings in an expansive chronicle of their lives and times.” Weinsberg also gathered accounts of political events, noting the importance of what emerged as a significant theme in Pettegree’s book: the integrity of the teller. The author takes a refreshingly broad view of what constitutes journalism—he includes medieval balladeers in the mix, for “singing ballads was a powerful part of information culture”—and of the genealogy of problems that any old-school newspaperperson will recognize: from the proper balance of ads to editorial copy to making decisions on what to run and what to spike and, as always, reaching audiences whose members might not always have appreciated that they needed the news that was on offer.

Was the newspaper an instrument of liberation or control? Can any news be trusted? Is the free flow of information essential to a democracy? Learned and well-written, Pettegree’s book ventures fruitful answers.

Pub Date: March 25, 2014

ISBN: 978-0-300-17908-8

Page Count: 456

Publisher: Yale Univ.

Review Posted Online: Jan. 22, 2014

Kirkus Reviews Issue: Feb. 1, 2014

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PERMISSION TO FEEL

UNLOCKING THE POWER OF EMOTIONS TO HELP OUR KIDS, OURSELVES, AND OUR SOCIETY THRIVE

An intriguing approach to identifying and relating to one’s emotions.

An analysis of our emotions and the skills required to understand them.

We all have emotions, but how many of us have the vocabulary to accurately describe our experiences or to understand how our emotions affect the way we act? In this guide to help readers with their emotions, Brackett, the founding director of Yale University’s Center for Emotional Intelligence, presents a five-step method he calls R.U.L.E.R.: We need to recognize our emotions, understand what has caused them, be able to label them with precise terms and descriptions, know how to safely and effectively express them, and be able to regulate them in productive ways. The author walks readers through each step and provides an intriguing tool to use to help identify a specific emotion. Brackett introduces a four-square grid called a Mood Meter, which allows one to define where an emotion falls based on pleasantness and energy. He also uses four colors for each quadrant: yellow for high pleasantness and high energy, red for low pleasantness and high energy, green for high pleasantness and low energy, and blue for low pleasantness and low energy. The idea is to identify where an emotion lies in this grid in order to put the R.U.L.E.R. method to good use. The author’s research is wide-ranging, and his interweaving of his personal story with the data helps make the book less academic and more accessible to general readers. It’s particularly useful for parents and teachers who want to help children learn to handle difficult emotions so that they can thrive rather than be overwhelmed by them. The author’s system will also find use in the workplace. “Emotions are the most powerful force inside the workplace—as they are in every human endeavor,” writes Brackett. “They influence everything from leadership effectiveness to building and maintaining complex relationships, from innovation to customer relations.”

An intriguing approach to identifying and relating to one’s emotions.

Pub Date: Sept. 3, 2019

ISBN: 978-1-250-21284-9

Page Count: 320

Publisher: Celadon Books

Review Posted Online: June 22, 2019

Kirkus Reviews Issue: July 15, 2019

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GRATITUDE

If that promise of clarity is what awaits us all, then death doesn’t seem so awful, and that is a great gift from Sacks. A...

Valediction from the late neurologist and writer Sacks (On the Move: A Life, 2015, etc.).

In this set of four short essays, much-forwarded opinion pieces from the New York Times, the author ponders illness, specifically the metastatic cancer that spread from eye to liver and in doing so foreclosed any possibility of treatment. His brief reflections on that unfortunate development give way to, yes, gratitude as he examines the good things that he has experienced over what, in the end, turned out to be a rather long life after all, lasting 82 years. To be sure, Sacks has regrets about leaving the world, not least of them not being around to see “a thousand…breakthroughs in the physical and biological sciences,” as well as the night sky sprinkled with stars and the yellow legal pads on which he worked sprinkled with words. Sacks works a few familiar tropes and elaborates others. Charmingly, he reflects on his habit since childhood of associating each year of his life with the element of corresponding atomic weight on the periodic table; given polonium’s “intense, murderous radioactivity,” then perhaps 84 isn’t all that it’s cut out to be. There are some glaring repetitions here, unfortunate given the intense brevity of this book, such as his twice citing Nathaniel Hawthorne’s call to revel in “intercourse with the world”—no, not that kind. Yet his thoughts overall—while not as soul-stirringly inspirational as the similar reflections of Randy Pausch or as bent on chasing down the story as Christopher Hitchens’ last book—are shaped into an austere beauty, as when Sacks writes of being able in his final moments to “see my life as from a great altitude, as a sort of landscape, and with a deepening sense of the connection of all its parts.”

If that promise of clarity is what awaits us all, then death doesn’t seem so awful, and that is a great gift from Sacks. A fitting, lovely farewell.

Pub Date: Nov. 24, 2015

ISBN: 978-0-451-49293-7

Page Count: 64

Publisher: Knopf

Review Posted Online: Oct. 31, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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