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EMINENT CHURCHILLIANS

In a wearyingly carping exercise in Lytton Stracheylike iconoclasm, British freelance journalist Roberts (The Holy Fox, 1991, not reviewed) exposes the heroes of the period of Britain's imperial decline as grandiloquent fools and knaves, appeasers and apologists for various forms of authoritarianism, and purblind racists. In the summer of 1940, when Winston Churchillpreviously regarded as a political failureassumed leadership, parliamentary Conservatives continued to distrust him. The extent of their distrust, and the lengths to which Churchill had to go to propitiate those who regarded him as unfit to lead the nation, tend to be widely forgotten today. Roberts delights in showing Churchill's feet of clay, from his often sensitive relationships with pro-Chamberlain Conservatives to his embarrassingly overt racism (a fault, after all, that he shared with many contemporaries who, like him, were ardent British imperialists). In addition, Roberts assembles a small rogues' gallery of contemporary figures who in his view presided over Britain's decline with incompetence, indifference, and outright villainy. Among these are Lord Mountbatten, who emerges as a posturing, egocentric humbug whose love of swift and adventurous action, first as a commander in WW II and then as Britain's last viceroy of India, resulted in thousands of unnecessary deaths; the Nazi apologist and anti-Semite Sir Arthur Bryant; and Walter Monckton, the minister of labour whose industrial policies left Britain in thrall to rapacious trade unions. Even King George VI is characterized as an unimaginative and hidebound appeaser. In his thoroughgoing revisionism, Roberts makes some arresting historical arguments (he contends that Mountbatten's socialist views and proCongress Party stance resulted in a tragically mishandled transition of power during the 1948 birth of India and Pakistan). But too often, Roberts's text reads like a mean-spirited attack on the personal foibles of some dead men; it does nothing to diminish the stature of Britain's magnificent Last Lion. (8 pages b&w photos, not seen)

Pub Date: July 1, 1995

ISBN: 0-684-80403-4

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1995

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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