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MADNESS IN CIVILIZATION

A CULTURAL HISTORY OF INSANITY, FROM THE BIBLE TO FREUD, FROM THE MADHOUSE TO MODERN MEDICINE

To be read as both corrective and supplement to Foucault, Szasz, and Rieff. Often brilliant and always luminous and...

Far-ranging, illuminating study of minds gone awry across space and time.

Scull (Sociology and Science Studies/Univ. of California, San Diego; Madness: A Very Short Introduction, 2011, etc.), a specialist in the history of science, warns at the outset that the very word “madness” is laden with cultural baggage: our idea of the subject, limned by the Diagnostic and Statistical Manual of Mental Disorders and various psychotropic medications, would likely be alien to a maenad-beset Greek of old. “We run enormous risks of misconstruing history,” he writes, “when we project contemporary diagnostic categories and psychiatric understandings back on to the past.” Still, when we look at Achilles, we can see PTSD, just as Mozart is better explained by throwing a little bipolarity into the picture. Though careful, Scull allows some imaginative readings into his long but utterly absorbing tour of history from ancient times to our own. Without overexplaining, he looks at medical controversies through time in familiar ways. The anti-vaccination crowd takes on different colors when seen as modern-day followers of the old temple gods: “If these methods did not bring about the desired result, failure could always be explained away. The gods were still displeased, the prayers insufficiently fervent.” Just so, by Scull’s account, traditional Chinese medicine, beloved of so many today, represents a victory of conservatism over progress, though Chinese physicians did tend to eventually reject the idea of wind-caused madness. Scull is sharp on every point, but some of his best moments come when he explains the introduction of psychoanalysis into pop culture in the postwar period, thanks in good part to Hollywood, and when he takes a sidelong look at both the drug-dependent psychiatry of today and its discontents, such as Scientology.

To be read as both corrective and supplement to Foucault, Szasz, and Rieff. Often brilliant and always luminous and rewarding.

Pub Date: April 1, 2015

ISBN: 978-0-691-16615-5

Page Count: 456

Publisher: Princeton Univ.

Review Posted Online: Feb. 15, 2015

Kirkus Reviews Issue: March 1, 2015

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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