BIG SISTER, LITTLE MONSTER

An exasperated big sister learns to love her little monster of a sibling by finding her own inner monster.

Lucy has had it with her little sister’s behavior. Mia, who like Lucy is white, always seems underfoot and over-the-top. When Lucy finally loses her temper and calls Mia a “little monster,” Mia disappears. Mia’s reaction to her sister’s rejection isn’t depicted, but at first, Lucy is clearly delighted and revels in time to herself. But a shift in palette from bright to dull, as well as in the tone of the text, signals Lucy’s quick change of heart: “after a while, it felt quiet. Very quiet. TOO QUIET. No one followed Lucy’s lead.” So Lucy sets out to find Mia and discovers a secret doorway in her little sister’s room that leads to a land of monsters. Fotheringham’s style shifts from something akin to Jules Feiffer’s to something more like Ed Emberley’s here, with brightly colored, cartoonish, goggly-eyed monsters cavorting with Mia against a black background. Mia seems perfectly content, and not only do the monsters reject Lucy’s attempts to wrest Mia away, they reject her, too: “ ‘YOU’RE NOT A LITTLE MONSTER,’ they howled. ‘GO AWAY!’ ” But Lucy stands firm and liberates her inner monster with a fit of rage that sends the monsters scurrying away. Mia happily rejoins her in the real world, where their rivalry gives way to sisterly revelry.

Monstrous sisterly fun. (Picture book. 4-7)

Pub Date: Sept. 12, 2017

ISBN: 978-0-545-83192-5

Page Count: 40

Publisher: Scholastic

Review Posted Online: June 27, 2017

Kirkus Reviews Issue: July 15, 2017

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A retro-futuristic romp, literally and figuratively screwy.

ROBOBABY

Robo-parents Diode and Lugnut present daughter Cathode with a new little brother—who requires, unfortunately, some assembly.

Arriving in pieces from some mechanistic version of Ikea, little Flange turns out to be a cute but complicated tyke who immediately falls apart…and then rockets uncontrollably about the room after an overconfident uncle tinkers with his basic design. As a squad of helpline techies and bevies of neighbors bearing sludge cake and like treats roll in, the cluttered and increasingly crowded scene deteriorates into madcap chaos—until at last Cath, with help from Roomba-like robodog Sprocket, stages an intervention by whisking the hapless new arrival off to a backyard workshop for a proper assembly and software update. “You’re such a good big sister!” warbles her frazzled mom. Wiesner’s robots display his characteristic clean lines and even hues but endearingly look like vaguely anthropomorphic piles of random jet-engine parts and old vacuum cleaners loosely connected by joints of armored cable. They roll hither and thither through neatly squared-off panels and pages in infectiously comical dismay. Even the end’s domestic tranquility lasts only until Cathode spots the little box buried in the bigger one’s packing material: “TWINS!” (This book was reviewed digitally with 9-by-22-inch double-page spreads viewed at 52% of actual size.)

A retro-futuristic romp, literally and figuratively screwy. (Picture book. 5-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-544-98731-9

Page Count: 32

Publisher: Clarion

Review Posted Online: June 3, 2020

Kirkus Reviews Issue: June 15, 2020

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A quiet, thought-provoking story of environmental change and the power humans have to slow it.

THE OLD BOAT

A multigenerational tale of a boat’s life with a Black family, written by two brothers who loved similar boats.

In the opening spread, a smiling, brown-skinned adult dangles a line from the back of a green-and-white boat while a boy peers eagerly over the side at the sea life. The text never describes years passing, but each page turn reveals the boy’s aging, more urban development on the shore, increasing water pollution, marine-life changes (sea jellies abound on one page), and shifting water levels. Eventually, the boy, now a teenager, steers the boat, and as an adult, he fishes alone but must go farther and farther out to sea to make his catch. One day, the man loses his way, capsizes in a storm, and washes up on a small bay island, with the overturned, sunken boat just offshore. Now a “new sailor” cleans up the land and water with others’ help. The physical similarities between the shipwrecked sailor and the “new sailor” suggest that this is not a new person but one whose near-death experience has led to an epiphany that changes his relationship to water. As the decaying boat becomes a new marine habitat, the sailor teaches the next generation (a child with hair in two Afro puffs) to fish. Focusing primarily on the sea, the book’s earth-toned illustrations, created with hundreds of stamps, carry the compelling plot.

A quiet, thought-provoking story of environmental change and the power humans have to slow it. (Picture book. 4-7)

Pub Date: March 2, 2021

ISBN: 978-1-324-00517-9

Page Count: 56

Publisher: Norton Young Readers

Review Posted Online: Dec. 25, 2020

Kirkus Reviews Issue: Jan. 15, 2021

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