An appealingly shoestring odyssey chronicled with engaging, ever-ready curiosity.
Newcomer Alaskan Romano-Lax heads south to Mexican waters, charting the changes 62 years after Steinbeck's famous travels by shrimp seiner.
Just before he got his Pulitzer for The Grapes of Wrath, the author and his biologist friend Ed Ricketts spent weeks collecting sea creatures and impressions, getting drunk, and more: “We search for something that will seem like truth to us; we search for understanding; we search for that principle which keys us deeply into the pattern of all life,” Steinbeck wrote in The Log from the Sea of Cortez. Romano-Lax, accompanied by her husband and two children, is on something of the same quest in her own fashion; she seeks not for the keys to the universe but for understanding of what is happening to the Sea of Cortez, all but written off for dead by many environmentalists and journalists. She wonders if the creatures Steinbeck and Ricketts catalogued are still in evidence and, if so, in what abundance. In fact, she finds many of them, sometimes in great profusion; to her way of thinking, this indicates a population in flux, an opinion buttressed by her talks with local fishermen, who speak of the ups and downs of catches. These detailed observations come wrapped in the entertaining story of the family’s voyage, which begins on a too-small boat in the company of her brother-in-law, Mr. Mood Swing, and continues in its second half as a combined road-kayak venture, with towns and harbors both getting good descriptions. Romano-Lax is a sharp delineator, whether seeing the water's surface as turquoise-tinted mercury or musing on Steinbeck's musings: “They were just fishing: putting out a long line into the dreamy current, to see what might bite.” The environmental picture of the Sea of Cortez is nowhere near complete, but her trip adds substantial strokes to the portrait.
An appealingly shoestring odyssey chronicled with engaging, ever-ready curiosity.Pub Date: Sept. 1, 2002
ISBN: 1-57061-255-2
Page Count: 288
Publisher: Sasquatch
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2002
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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